MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04065aam a2200589 i 4500
001 on1003828446
003 OCoLC
005 20180717100254.0
008 171128s2018 cau 000 1 eng
010 $a2017055410
020 $a9781619021112
020 $a1619021110
035 $a(OCoLC)1003828446
037 $aBRO-upg20180522-091$aBRO-cust20180529-054
040 $aDLC$beng$erda$cDLC$dORX$dSFR$dUtOrBLW
042 $apcc
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049 $aSFRA
050 00 $aPS3608.U46$bS75 2018
082 00 $a813/.6$223
092 $aF$bHUMMEL M
100 1 $aHummel, Maria,$eauthor.
245 10 $aStill lives :$ba novel /$cMaria Hummel.
250 $aFirst hardcover edition.
264 1 $aBerkeley, California :$bCounterpoint,$c2018.
300 $a277 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aKim Lord is an avant-garde figure, feminist icon, and agent provocateur in the L.A. art scene. Her groundbreaking new exhibition Still Lives is comprised of self-portraits depicting herself as famous, murdered women--the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others--and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. As the city's richest art patrons pour into the Rocque Museum's opening night, all the staff, including editor Maggie Richter, hope the event will be enough to save the historic institution's flailing finances. Except Kim Lord never shows up to her own gala. Fear mounts as the hours and days drag on and Lord remains missing.
650 0 $aArt museums$vFiction.
650 0 $aFeminism and art$vFiction.
651 0 $aLos Angeles (Calif.)$vFiction.
655 7 $aSuspense fiction.$2gsafd
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