Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:135390799:3998 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 03998cam a2200565 i 4500
001 ocn961154612
003 OCoLC
005 20180717100301.0
008 170614t20172017enka b 001 0 eng
010 $a2017027800
019 $a961001997$a961003724
020 $a9781472588104$q(hardcover)
020 $a147258810X$q(hardcover)
020 $a9781472588098$q(paperback)
020 $a1472588096$q(paperback)
035 $a(OCoLC)961154612$z(OCoLC)961001997$z(OCoLC)961003724
037 $bBloomsbury USA Academic, C/O Mps 16365 James Madison Hwy, Gordonsville, VA, USA, 22942$nSAN 631-5011
040 $aDLC$beng$erda$cDLC$dYDX$dBDX$dOCLCO$dERASA$dOCLCF$dOCLCO$dYDX$dOCLCO$dWLU$dTEU$dTFW$dMNU$dCGL$dUPM$dEQO$dSTF$dYOU$dZCU$dIUL$dOMB$dCHVBK$dOCLCO$dOCLCQ$dCSA$dNDD$dWUZ$dUAT$dCEF$dFLL$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aNA2543.S6$bK58 2017
082 00 $a720.1/03$223
092 $a720.103$bK649s
100 1 $aKite, Stephen,$eauthor.
245 10 $aShadow-makers :$ba cultural history of shadows in architecture /$cStephen Kite.
264 1 $aLondon, UK ;$aNew York, NY, USA :$bBloomsbury Academic, an imprint of Bloomsbury Publishing Plc,$c2017.
264 4 $c©2017
300 $axxiv, 331 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative - combining close readings of significant buildings both ancient and modern with architectural theory and art history - to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context - tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built "--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aShadow beginnings -- Primordial shadows -- 'The art of shaddowes' -- Shadows of the sublime -- Gothick 'gloomth' -- John Ruskin and shadows of power -- Shadow carpets -- Shadows of the unconscious -- Louis Kahn and the 'treasury of shadows' -- Shadow futures.
650 0 $aArchitecture and society.
650 0 $aShades and shadows in architecture.
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938 $aBrodart$bBROD$n118198025
938 $aBaker and Taylor$bBTCP$nBK0019720895
938 $aErasmus Boekhandel$bERAA$nNTS0000256822
938 $aYBP Library Services$bYANK$n13223782
938 $aYBP Library Services$bYANK$n13223783
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