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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:166585924:3440
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:166585924:3440?format=raw

LEADER: 03440cam a2200553 i 4500
001 on1010625961
003 OCoLC
005 20180921160934.0
008 171114t20182018azua b 001 0 eng c
010 $a2017042857
020 $a9780816537242$q(paperback ;$qalkaline paper)
020 $a0816537240$q(paperback ;$qalkaline paper)
024 8 $a40027999793
035 $a(OCoLC)1010625961
037 $bUniv of Arizona Pr, C/O Chicago Distribution Center 11030 S Langley Ave, Chicago, IL, USA, 60628$nSAN 202-5280
040 $aAzTeS/DLC$beng$erda$cDLC$dOCLCO$dOCLCF$dMEU$dYDX$dOCLCO$dIAY$dOBE$dEAU$dUCW$dEYM$dGILDS$dMNU$dCUY$dGWC$dCHVBK$dSFR$dUtOrBLW
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050 00 $aPN1992.8.H54$bM65 2018
082 00 $a791.45/652968073$223
092 $a791.4565$bM7337L
100 1 $aMolina-Guzmán, Isabel,$eauthor.
245 10 $aLatinas and Latinos on TV :$bcolorblind comedy in the post-racial network era /$cIsabel Molina-Guzmán.
246 34 $aLatinas & Latinos on TV
264 1 $aTucson, Arizona :$bThe University of Arizona Press,$c2018.
264 4 $c©2018
300 $axiii, 136 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aLatinx pop culture
504 $aIncludes bibliographical references (pages 123-132) and index.
505 0 $aIntroduction : Latina/os, hipster racism, and post-racial TV -- Scrubs(ing) the beginnings of post-racial TV -- Hipster racism comes to colorblind TV -- Reading against the post-racial TV Latina -- Conclusion : post-racial past and colorblind futures on TV.
520 $aInterweaving discussions about the ethnic, racial, and linguistic representations of Latinas/os within network television comedies, Isabel Molina-Guzmán probes published interviews with producers and textual examples from hit programs like Modern Family, The Office, and Scrubs to understand how these primetime sitcoms communicate difference in the United States. Understanding the complex ways that audiences interpret these programs, Molina-Guzmán situates her analysis within the Obama era, a period when ethnicity and race became increasingly grounded in hipster racism, and argues that despite increased inclusion, the feel-good imperative of TV comedies still inevitably leaves racism, sexism, and homophobia uncontested--back cover.
650 0 $aHispanic Americans on television.
650 0 $aSituation comedies (Television programs)$zUnited States.
650 0 $aSocial problems on television.
830 0 $aLatinx pop culture.
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