MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05957cam a2200757Ii 4500
001 ocn991783623
003 OCoLC
005 20181126142744.0
008 170626s2018 enka b 000 0 eng d
020 $a9781119254416$q(paperback)
020 $a1119254418$q(paperback)
035 $a(OCoLC)991783623
037 $bJohn Wiley & Sons Inc, Customer Care Center / Consumer accounts 10475 Crosspoint Blvd, Indianapolis, IN, USA, 46256$nSAN 200-2272
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050 4 $aNA1$b.A563 2018
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245 00 $aCelebrating the marvellous surrealism in architecture /$cguest-edited by Neil Spiller.
246 3 $aCelebrating the marvelous surrealism in architecture
246 18 $aSurrealism in architecture
264 1 $aOxford :$bJohn Wiley & Sons,$c2018.
300 $a136 pages :$billustrations (chiefly color) ;$c29 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aArchitectural design ;$vvol. 88, no. 02
490 1 $aProfile ;$vno. 252
500 $a"March/April 2018."
500 $a"02:2018"--Spine.
504 $aIncludes bibliographical references.
520 $aWe are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet Andre Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realized its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration.
505 00 $tAbout the guest-editor Neil Spiller --$tThat was then, this is now and next /$rNeil Spiller --$tArchitecture after the rain /$rAnthony Vidler --$tSurrealism and architectural atmosphere /$rAlberto Pérez-Gómez --$tMoody attunement in Giorgio de Chirico's Metaphysical City /$rDagmar Motycka Weston --$tAlien Ossuary, the HR Giger Museum Bar /$rNeil Spiller --$tMaking a spectacle of society (Thoughts on Surreality) /$rNigel Coates --$tA simply marvellous reaction: autonomous sensory meridian response and the desk tutorial /$rMark Morris --$tAs the levee breaks: entrusting the surreal Mississippi /$rElizabeth Williams Russell --$tHearing trumpets, errant furniture and architectural magic: Arch Combinatoria and the Horizontal Forest /$rNatalie Gall --$tThe shadowy thickening of space and time with chance: an interview with the Quay Brothers /$rMark Morris and Neil Spiller --$tSurrealist Thames-side Piers: Tellurian Relics /$rShaun Murray --$tSilver parrots: mischievous characters and feathered aerialists /$rPerry Kulper --$tMagic crafsmanship: A glimpse into Bryan Cantley's Thirdspace /$rNeil Spiller --$tArchitecture in aqueous flux: the CaCO₃ Depositional House /$rJames Eagle --$tTranscending geometry: The Longhouse /$rNeil Spiller --$tDirections for getting lost, or, How to change your mind /$rMark W. West and Mark West --$tSubterranean speculations: The Chthonopolis /$rNic Clear --$t'Sur' Realism: after surrealism comes hyperrealism /$rHernan Diaz Alonso.
600 10 $aDe Chirico, Giorgio,$d1888-1978.
600 10 $aCantley, Bryan.
610 20 $aBrothers Quay.
650 0 $aSurrealism.
650 0 $aArchitecture, Modern.
700 1 $aSpiller, Neil,$eeditor,$econtributor.
700 1 $aVidler, Anthony,$econtributor.
700 1 $aPérez Gómez, Alberto,$d1949-$econtributor.
700 1 $aWeston, Dagmar Motycka,$econtributor.
700 1 $aCoates, Nigel,$econtributor.
700 1 $aMorris, Mark,$d1970-$econtributor.
700 1 $aRussell, Elizabeth Williams,$econtributor.
700 1 $aGall, Natalie,$econtributor.
700 1 $aMurray, Shaun,$econtributor.
700 1 $aKulper, Perry,$d1953-$econtributor.
700 1 $aEagle, James,$econtributor.
700 1 $aWest, Mark,$d1953-$econtributor.
700 1 $aClear, Nic,$econtributor.
700 1 $aDíaz Alonso, Hernán,$econtributor.
830 0 $aArchitectural design (London, England : 1971) ;$vv. 88, no. 2.
830 0 $aProfile (Chichester, England) ;$vno. 252.
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