MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05630cam a2200565Ii 4500
001 on1035752693
003 OCoLC
005 20181129085252.0
008 180503t20182018enka b 001 0deng d
010 $a2017959304
019 $a1007090747
020 $a9780500239780$q(hardback)
020 $a0500239789$q(hardback)
035 $a(OCoLC)1035752693$z(OCoLC)1007090747
037 $bW W Norton & Co Inc, Keystone Industrial Park Attn Mike Charnogursky 800 Keystone Industrial Park, Scranton, PA, USA, 18512$nSAN 202-5795
040 $aERASA$beng$erda$cERASA$dBDX$dYDX$dQGJ$dTOH$dCHVBK$dOCLCO$dCDX$dQGJ$dUAB$dOCLCF$dHTM$dUKTTE$dSFR
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050 4 $aN6820$b.A78 2018
080 $a(439)7.036"195/198" ART
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245 00 $aArt in Hungary, 1956-1980 :$bdoublespeak and beyond /$cedited by Edit Sasvári, Sándor Hornyik, Hedvig Turai.
246 30 $aDoublespeak and beyond
264 1 $aLondon :$bThames & Hudson Ltd,$c2018.
264 4 $c©2018
300 $a383 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in association with the Petöfi Irodalmi Múzeum and the Kassák Múzeum, Budapest.
504 $aIncludes bibliographical references and index.
505 00 $tAutonomy and doublespeack: art in Hungary in the 1960s and 1970s /$rEdit Sasvári --$tUnder eastern eyes /$rPéter György --$tHungarian culture +/- Europe: positions and self-images of avant-garde and modernist movements in Hungary, 1915-68 /$rGábor Dobó and Merse Pál Szeredi --$tThe art sphere as a grey zone: techniques of power and the context of artistic practices /$rJúlia Perczel --$tLiberty controlled: institutional settings of the east European neo-avant-garde /$rMaja Fowkes and Reuben Fowkes --$tCreative (dis)courses: the forms, methods and locations of alternative art pedagogy in Hungary /$rFlóra Barkóczi --$tReforming socialist realism: encounters of eastern modernization and western modernism /$rSándor Hornyik --$t(Dis)figuring reality: new forms of figuration in Hungarian painting, 1957-75 /$rDávid Fehér --$tAbstract boundaries: the changing principles of art policy in 1958-68 /$rJózsef Mélyi --$tDomesticated modernism: the role of western émigré artists in the cultural politics of the Kádár era /$rLóránt Bódi --$tTaboo and trauma: 1956 /$rGéza Boros --$tThe Holocaust and the arts: paths and crossroads /$rDaniel Véri --$tOut of private public opinion into shared personal opinion: the public, the private and the political /$rEdit András --$tLimited access to greatness: the position of women artists /$rHedvig Turai --$tSoft-spoken encounters: international exchanges and the Hungarian 'underground' /$rKlara Kemp-Welch --$tPoetry in action: language as a performative medium in the Hungarian neo-avant-garde /$rEmese Kürti --$tWorking in the twice-mined semantic minefield: the politics of Hungarian neo-avant-garde movements /$rMagdalena Radomska --$tThe influx of images: photo, experimental film and video art in the Hungarian neo-avant-garde /$rKatalin Székely.
520 8 $aThe international significance of the art produced in Hungary in the 1960s and 1970s has come to the fore in recent years. Nevertheless, studies of modern and contemporary art in Eastern Europe during the Soviet era tend to focus on their relationship to Western art, with an emphasis on the parallel development of similar artistic practices - an approach that risks overlooking the specific circumstances of the art's making. In Hungary's case, artists of the neo-avant-garde found themselves in an increasingly isolated position, caught between the ruling communist authorities, who condemned their art as a product of capitalist cultural imperialism, and a predominantly conservative public, which rejected it as a foreign creation alien to the spirit of national culture. Art in Hungary, 1956-1980 provides a unique insight into the ways in which Hungarian neo-avant-garde artists both responded to and fought against a system that was determined to deny them a sense of autonomy. At the heart of the book is a commitment to understanding Hungarian contemporary art of the 1960s and 1970s - a time of oppressive communist rule in the aftermath of the failed revolution of 1956 - in the context of the conditions in which it was created. Featuring more than 250 illustrations, a bold design and essays on a diverse range of subjects, this book, the outcome of a major international research project, represents the account and analysis of a remarkable period in the history of Hungarian art.
546 $aIncludes translations from the Hungarian.
650 0 $aArt, Hungarian$y20th century.
700 1 $aSasvári, Edit,$eeditor.
700 1 $aHornyik, Sándor,$eeditor.
700 1 $aTurai, Hedvig,$eeditor.
710 2 $aPetőfi Irodalmi Múzeum (Budapest, Hungary),$eassociated with work.
710 2 $aKassák Múzeum,$eassociated with work.
907 $a.b36252724$b12-14-18$c10-03-18
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938 $aBrodart$bBROD$n121075478
938 $aErasmus Boekhandel$bERAA$nNTS0000274861
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