Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:207370724:3516 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:207370724:3516?format=raw |
LEADER: 03516cam a2200661Ii 4500
001 on1029804556
003 OCoLC
005 20181115104529.0
008 180328t20182018maua bc 001 0 eng d
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019 $a1029634611$a1029860004
020 $a9780262536394$q(The MIT Press)
020 $a0262536390$q(The MIT Press)
020 $a9780262536394$q(MNCARS)
020 $a9788480265737
020 $a8480265736
035 $a(OCoLC)1029804556$z(OCoLC)1029634611$z(OCoLC)1029860004
037 $bMit Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
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041 1 $aeng$hrus$hspa
043 $ae-ru---
049 $aSFRA
050 04 $aN6988.5.A83$bR89 2018
082 04 $a709.4709$223
092 $a709.0406$bR9206
245 00 $aRussian Dada :$b1914-1924 /$cedited by Margarita Tupitsyn ; [exhibition curator, Margarita Tupitsyn ; catalogue edited by Margarita Tupitsyn and the MNCARS editorial Activities ; tranlations, Cathy Young, Philip Sutton].
264 1 $aCambridge, Mass. ;$aLondon, UK :$bThe MIT Press ;$aMadrid :$bMuseo Nacional Centro de Arte Reina Sofía,$c[2018]
264 4 $c©2018
300 $a342 pages, 7 unnumbered postliminary pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
546 $aTranslated from Russian and Spanish to English.
500 $a"This catalogue is published to coincide with the exhibition Russian Dada 1914-1924, organized and held in the Museo Nacional Centro de Arte Reina Sofía from June 6 to October 22, 2018."--Page [344].
520 $aThis exhibition explores Russian avant-garde art through the perspective of the anti-art canons associated with the international Dada movement. The selected works reveal the intentions of many artists to take part in projects of public unrest with connotations in close proximity to Marxism and to adopt rejection, irony, the absurd and chance as the basic principles underpinning their artistic manifestations.
650 0 $aArt, Russian$y20th century$vExhibitions.
650 0 $aDadaism$zRussia (Federation)$xIn art$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zRussia (Federation)$y20th century$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
655 7 $aExhibition catalogs.$2lcgft
700 1 $aTupitsyn, Margarita,$eeditor,$ecurator.
700 1 $aYoung, Cathy,$etranslator.
700 1 $aSutton, Philip,$etranslator.
710 2 $aMuseo Nacional Centro de Arte Reina Sofía,$eorganizer,$ehost institution.
856 42 $uhttp://ilibri.casalini.it/toc/4355515$zTable of contents
856 42 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio13520409$3TOC
907 $a.b36253285$b12-21-18$c10-03-18
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