MARC Record from marc_openlibraries_sanfranciscopubliclibrary

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001 ocm08688294
003 OCoLC
005 20171017091034.0
008 820729r19821955iluaf b 001 0 eng
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035 $a(OCoLC)8688294
037 $bUniv of Chicago Pr, Attn: John Kessler C/O Chicago Distribution Center 11030 S Langley Ave, Chicago, IL, USA, 60628$nSAN 202-5280
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050 00 $aN7445.2$b.P35 1982
082 00 $a700$219
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100 1 $aPanofsky, Erwin,$d1892-1968.
245 10 $aMeaning in the visual arts /$cErwin Panofsky.
250 $aPhoenix ed.
260 $aChicago :$bUniversity of Chicago Press,$c1982, ©1955.
300 $axviii, 364 pages, 64 unnumbered pages of plates :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOriginally published: Garden City, N.Y. : Doubleday, 1955.
504 $aIncludes bibliographical references (pages v-viii) and index.
505 0 $aIntroduction: The history of art as a humanistic discipline. -- Iconography and iconology: an introduction to the study of Renaissance art. -- The history of the theory of human proportions as a reflection of the history of styles. -- Abbot Sugar of St.-Denis. -- Titan's Allegory of Prudence: a postscript. -- The first page of Giorgio Vasari's "Libro": a study on the Gothic style in the judgment of the Italian Renaissance with an excursus on two facade designs by Domenico Beccafumi. -- Albrecht Dürer and classical antiquity with an excursus on the illustrations of Apianus' "Inscriptiones" in relation to Dürer. -- Et in arcadia ego: Poussin and the elegiac tradition. -- Epilogue: Three decades of art history in the United States: impressions of a transplanted European.
520 0 $aSince its original publication, Erwin Panofsky's Meaning in the Visual Arts has been standard reading for students of art history. It is both an introduction to the study of art and, for those with more specialized interests, a profound discussion of art and life in the Middle Ages and Renaissance. Panofsky's historical technique reveals an abundance of detail, detail he skillfully relates to the life and work of individual painters and their times. The papers in this volume represent a cross-section of Panofsky's major work. Included are selections from his well-known Studies in Iconology and The Life and Art of Albrecht Durer, plus an introduction and an epilogue--"The History of Art as a Humanistic Discipline" and "Three Decades of Art History in the United States: Impressions of a Transplanted European"--as well as pieces written especially for this collection. All display Panofsky's vast erudition and deep commitment to a humanistic conception of art and art history.
650 0 $aArt.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0608/82013600-t.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0608/82013600-d.html
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