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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:39459736:4167
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:39459736:4167?format=raw

LEADER: 04167cam a2200493 i 4500
001 ocn981761500
003 OCoLC
005 20171121090638.0
008 170317s2017 mau b 001 0deng c
010 $a2017011997
020 $a9780674971073$qhardcover$qalkaline paper
020 $a0674971078$qhardcover$qalkaline paper
035 $a(OCoLC)981761500
037 $bHarvard Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumbreland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
040 $aMH/DLC$beng$erda$cHLS$dDLC$dOCLCO$dYDX$dBTCTA$dOCLCF$dBDX$dOCLCA$dHLS$dYDX$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aPR3581$b.P64 2017
082 00 $a821/.4$aB$223
092 $aB$bM642po
100 1 $aPoole, William,$d1977-$eauthor.
245 10 $aMilton and the making of Paradise lost /$cWilliam Poole.
264 1 $aCambridge, Massachusetts :$bHarvard University Press,$c2017.
300 $axiii, 368 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aMilton and the Making of Paradise Lost tells the story of John Milton's life as England's self-elected national poet and explains how the single greatest poem of the English language came to be written. In early 1642 Milton--an obscure private schoolmaster--promised English readers a work of literature so great that "they should not willingly let it die." Twenty-five years later, toward the end of 1667, the work he had pledged appeared in print: the epic poem Paradise Lost. In the interim, however, the poet had gone totally blind and had also become a controversial public figure--a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast. William Poole devotes particular attention to Milton's personal situation: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this staggeringly complex, intensely visual work? Poole opens up the epic worlds and sweeping vistas of Milton's masterpiece to modern readers, first by exploring Milton's life and intellectual preoccupations and then by explaining the poem itself--its structure, content, and meaning.--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aPart 1: Milton -- The undertaking -- School and the Gils -- An anxious young man -- Ambitions -- Milton's syllabus -- Securing a reputation -- Two problematic books -- Systematic theology -- Drafts for dramas -- Two competitors: Davenant and Cowley -- Going blind -- The undertaking, revisited -- Bibliographical interlude: publishing Paradise lost -- Part 2: Paradise Lost -- Structure -- Creating a universe -- Epic disruption -- Military epic -- Scientific epic -- Pastoral tragedy -- Contamination and doubles -- Justifying the ways of God to men -- Becoming a classic.
600 10 $aMilton, John,$d1608-1674.
600 10 $aMilton, John,$d1608-1674.$tParadise lost$xCriticism and interpretation.
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907 $a.b34381065$b11-16-17$c08-25-17
938 $aBaker and Taylor$bBTCP$nBK0020597800
938 $aYBP Library Services$bYANK$n13956812
938 $aBrodart$bBROD$n120216582
980 $a1017 sh
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