MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 03824cam a2200601Ii 4500
001 ocn929592646
003 OCoLC
005 20180315010246.0
008 151113s2016 enka bc 001 0 eng d
019 $a961862363$a1002582451$a1002649719
020 $a9781849764339
020 $a1849764336
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080 $aTATE-REF GENERAL
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092 $a738.09$bT3297
245 00 $aThat continuous thing :$bartists and the ceramics studio, 1920-today /$cedited by Sara Matson and Sam Thorne.
246 30 $aArtists and the ceramics studio, 1920-today
264 1 $aLondon :$bTate Publishing,$c2016.
300 $a156 pages :$billustrations (chiefly color) ;$c21 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to support the development of the exhibition "That Continuous Thing: Artists & the Ceramics Studio, 1920-Today" at Tate St Ives, March 31-September 3, 2017.
505 00 $gIntroduction : that continuous thing /$rSam Thorne and Sara Matson --$tTowards a standard /$rBernard Leach --$tBeyond East and West? /$rEdmund de Waal --$tLeach in Japan /$rSōetsu Yanagi --$tFactive plasticity : the abstract pottery of William Staite Murray /$rJulian Stair --$tAmerican potters today /$rAlison Britton --$tPeter Voulkos and Ken Price /$rGlenn Adamson --$tOut of the studio /$rTanya Harrod --$tThe plant : notes on Troy Town Art Pottery /$rAaron Angell -- $tIn conversation /$rSam Thorne and Jesse Wine --$tWork, practice and site /$rGlenn Adamson.
504 $aIncludes bibliographical references (pages 145-148) and index.
520 8 $aFrom the rise of studio pottery in the 1910s to a number of new commissions by a young generation of UK-based artists, That Continuous Thing traces the changing shape of the ceramics studio over the last century, from the radical to the apparently traditional. Opening with exchange between Japan and the UK in 1910s and 1920s through the emergence of studio potters such as Bernard Leach, Shoji Hamada and Dora Billington, the book leads on to the Californian "clay revolution" of the 1950s and 1960s, with sculptures by the pioneering artist Voulkos. The book also includes works by contemporary artists made over the last three years at Angell's London-based Troy Town Art Pottery, which has been described as "a radical and psychedelic workshop for artists."
650 0 $aPottery$y20th century$vExhibitions.
650 0 $aPottery$y21st century$vExhibitions.
650 0 $aArt pottery$y20th century$vExhibitions.
650 0 $aArt pottery$y21st century$vExhibitions.
650 0 $aCeramic sculpture$y20th century$vExhibitions.
650 0 $aCeramic sculpture$y21st century$vExhibitions.
650 0 $aCeramics$xHistory$y20th century$vExhibitions.
650 0 $aCeramics$xHistory$y21st century$vExhibitions.
700 1 $aMatson, Sara,$eeditor.
700 1 $aThorne, Sam,$eeditor.
710 2 $aTate Gallery St Ives,$ehost institution.
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