MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04364cam a2200625 i 4500
001 ocn975487954
003 OCoLC
005 20180417105932.0
008 170622s2017 nyua bc 001 0 eng
010 $a2017030111
020 $a9780892075287$q(hardcover)
020 $a0892075287$q(hardcover)
035 $a(OCoLC)975487954
037 $bDistributed Art Pub Inc, C/O Two Rivers Distribution 210 American Dr, Jackson, TN, USA, 38301$nSAN 631-760X
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDX$dBDX$dERASA$dOCLCF$dOCLCO$dMZA$dCUI$dCIA$dYDX$dOCLCO$dNUI$dCNNGC$dNZAUC$dOCLCO$dSFR$dUtOrBLW
042 $apcc
043 $aa-cc---
049 $aSFRA
050 00 $aN7345$b.A77 2017
082 00 $a709.51/0904$223
092 $a709.5109$bAr751
245 00 $aArt and China after 1989 :$btheater of the world /$cAlexandra Munroe ; with Philip Tinari and Hou Hanru.
264 1 $aNew York, NY :$bGuggenheim Museum Publications,$c[2017]
300 $a324 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition at Solomon R. Guggenheim Museum, New York from October 6, 2017-January 7, 2018; Guggenheim Museum, Bilbao from May 11-September 23, 2018; and San Francisco Museum of Modern Art, November 20, 2018-February 24, 2019.
504 $aIncludes bibliographical references and index.
505 0 $aA Test Site / Alexandra Munroe -- Between Palimpsest and Teleology: The Problem of "Chinese Contemporary Art" / Philip Tinari -- Théâtre du monde: To Be Unthought / Hou Hanru -- Works / With entries by Hou Hanru, Katherine Grube, Alexandra Munroe, Lu Mingjun, Philip Tinari, Stephanie H. Tung, and Xiaorui Zhu-Nowell.
520 $aPublished on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, 'Art and China after 1989: Theater of the World' explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Exhibition: Solomon R. Guggenheim Museum, New York, United States (06.10.2017 - 07.01.2018).
650 0 $aArt, Chinese$y20th century$vExhibitions.
650 0 $aArt, Chinese$y21st century$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zChina$xHistory$y20th century$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zChina$xHistory$y21st century$vExhibitions.
655 7 $aExhibition catalogs.$2lcgft
700 12 $aMunroe, Alexandra.$tTest site.
700 12 $aTinari, Philip.$tBetween palimpsest and teleology.
700 12 $aHou, Hanru.$tThéâtre du monde.
710 2 $aSolomon R. Guggenheim Museum,$eorganizer,$ehost institution.
710 2 $aMuseo Guggenheim Bilbao,$ehost institution.
710 2 $aSan Francisco Museum of Modern Art,$ehost institution.
907 $a.b35079691$b12-01-18$c12-20-17
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907 $a.b35079691$b03-08-18$c12-20-17
938 $aBaker and Taylor$bBTCP$nBK0020471557
938 $aYBP Library Services$bYANK$n13666970
938 $aBrodart$bBROD$n119340313
938 $aErasmus Boekhandel$bERAA$nNTS0000255082
980 $a0218 ac
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