| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:94820527:4516 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 04516cam a2200589 i 4500
001 ocn973795461
003 OCoLC
005 20180417110028.0
008 170626t20172017ncu b 001 0 eng c
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020 $a9780822370062$qhardcover ;$qalkaline paper
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020 $a0822370166$qpaperback ;$qalkaline paper
035 $a(OCoLC)973795461$z(OCoLC)972772261$z(OCoLC)972828658$z(OCoLC)972974153$z(OCoLC)973001113$z(OCoLC)973087134$z(OCoLC)973140343$z(OCoLC)973281232$z(OCoLC)973308920$z(OCoLC)973313707$z(OCoLC)973368979$z(OCoLC)973382924$z(OCoLC)973502515$z(OCoLC)973503100$z(OCoLC)973753992$z(OCoLC)973758056$z(OCoLC)973808066
037 $bDuke Univ Pr, Attn: Michael Box 90660, Durham, NC, USA, 27708, (919)6885134$nSAN 201-3436
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050 00 $aE185.625$b.M684 2017
082 00 $a305.896/073$223
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100 1 $aMoten, Fred,$eauthor.
245 10 $aBlack and blur /$cFred Moten.
264 1 $aDurham :$bDuke University Press,$c2017.
264 4 $c©2017
300 $axvii, 339 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aConsent not to be a single being ;$v[v. 1]
505 0 $aNot in between -- Interpolation and interpellation -- Magic of objects -- Sonata quasi una fantasia -- Taste dissonance flavor escape (preface to a solo by Miles Davis) -- The new international of rhythmic feel-ings -- The phonographic mise-en scène -- Liner notes for Lick piece -- Rough Americana -- Nothing, everything -- Nowhere, everywhere -- Nobody, everybody -- Remind -- Amuse-bouche -- Collective head -- Cornered, taken, made to leave -- Enjoy all monsters -- Some extrasubtitles for Wildness -- To feel, to feel more, to feel more than -- Irruptions and incoherences for Jimmie Durham -- Black and blue on white, in and and in space -- Blue vespers -- The blur and breathe books -- Entanglement and virtuosity -- Bobby Lee's hands.
504 $aIncludes bibliographical references and index.
520 $aIn Black and Blur--the first volume in his sublime and compelling trilogy: Consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
650 0 $aBlacks$xRace identity$zUnited States.
650 0 $aAfrican Americans$xRace identity.
650 0 $aAfrican diaspora.
830 0 $aConsent not to be a single being ;$v[v. 1].
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