| Record ID | marc_records_scriblio_net/part08.dat:39222140:1862 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part08.dat:39222140:1862?format=raw |
LEADER: 01862cam 2200229 4500
001 74098065 /MN/r85
003 DLC
005 19850617000000.0
008 700715s1970 nyuagh 001 0 eng
010 $a 74098065 /MN/r85
020 $a0801405505
040 $aDLC$cDLC$dDLC
050 00 $aML55$b.C75
082 00 $a789.7
245 04 $aThe Computer and music.$cEdited by Harry B. Lincoln.
260 0 $aIthaca,$bCornell University Press$c[1970]
300 $axvi, 354 p.$billus., facsims., music.$c25 cm.
350 $a15.00
505 0 $aMusicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.
650 0 $aMusic$xData processing$xAddresses, essays, lectures.
650 0 $aComputer music$xAddresses, essays, lectures.
700 10 $aLincoln, Harry B.,$eed.