MARC Record from Scriblio

LEADER: 01636pam 2200253 i 4500
001 76003555
003 DLC
005 20050725155049.0
008 760203s1976 nyua 000 0 eng
010 $a 76003555
020 $a0826119603
040 $aDLC$cDLC$dDLC
050 00 $aN71$b.V57
082 00 $a701/.15
245 00 $aVision and artifact /$cMary Henle, editor ; foreword by Rudolf Arnheim.
260 $aNew York :$bSpringer Pub. Co.,$cc1976.
300 $axviii, 186 p. :$bill. ;$c24 cm.
505 0 $aVisual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J. M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L. M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J. J., et al. The change from visible to invisible.--Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts.--Artifact : Sekler, E. F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M. L. Blue night by Paul Klee. Zucker, W. M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change.
650 0 $aVisual perception.
650 0 $aOptical illusions.
650 0 $aArt$xPsychology.
600 10 $aArnheim, Rudolf.
700 1 $aHenle, Mary,$d1913-
700 1 $aArnheim, Rudolf.