| Record ID | marc_records_scriblio_net/part14.dat:21072807:1273 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part14.dat:21072807:1273?format=raw |
LEADER: 01273cam 2200301 a 4500
001 2002002782
003 DLC
005 20040922092951.0
008 020221s2002 caua b 001 0 eng
010 $a 2002002782
020 $a0892366419 (pbk.)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aND673.E6$bA65 2002
082 00 $a759.9493$221
100 1 $aBerman, Patricia G.
245 10 $aJames Ensor:$bChrist's entry into Brussels in 1889 /$cPatricia G. Berman.
246 30 $aChrist's entry into Brussels in 1889
260 $aLos Angeles :$bJ. Paul Getty Museum,$cc2002.
300 $a114 p. :$bill. (some col.) ;$c21 x 28 cm.
440 0 $aGetty Museum studies on art
504 $aIncludes bibliographical references (p. 111-113).
505 0 $aA painting and its paradoxes -- The city, the street, and the urban spectacle -- Ensor and the Belgian art world -- Unholy alliances: the politics of church and state in Léopold's Belgium -- The artist as rebel and redeemer -- "A kaleidoscope gifted with consciousness".
600 10 $aEnsor, James,$d1860-1949.$tEntry of Christ into Brussels.
600 10 $aEnsor, James,$d1860-1949$xCriticism and interpretation.
600 00 $aJesus Christ$vArt.
650 0 $aAllegories.
700 1 $aEnsor, James,$d1860-1949.