MARC Record from Scriblio

LEADER: 03357cam 22002778a 4500
001 2005002568
003 DLC
005 20050308202325.0
008 050128s2005 enk b 001 0 eng
010 $a 2005002568
020 $a0415349788 (hardback : alk. paper)
020 $a0415349796 (pbk. : alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aBH39$b.G67 2005
082 00 $a111/.85$222
100 1 $aGraham, Gordon,$d1949 July 15-
245 10 $aPhilosophy of the arts :$ban introduction to aesthetics /$cGordon Graham.
250 $a3rd ed.
260 $aLondon ;$aNew York :$bRoutledge,$c2005.
263 $a0507
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aArt and pleasure -- Hume on taste and tragedy -- Collingwood on art as amusement -- Mill on higher and lower pleasures -- The nature of pleasure -- Art and beauty -- Beauty and pleasure -- Kant on beauty -- The aesthetic attitude and the sublime -- Art and the aesthetic -- Gadamer and art as play -- Art and sport -- Art and emotion -- Tolstoy and everyday expressivism -- Aristotle and Katharsis -- Expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism -- Expression versus expressiveness -- Art and understanding -- Hegel, art and mind -- Art, science and knowledge -- Aesthetic -- Cognitivism, for and against -- Imagination and experience -- The objects of imagination -- Art and the world -- Understanding as a norm -- Art and -- Human nature -- Music and sonic art -- Music and pleasure -- Music and emotion -- Music as language -- Music and representation -- Musical vocabulary and musical grammar -- The uniqueness of music -- Music and beauty -- Music as the exploration of sound -- Sonic art and digital technology -- The visual arts -- What is representation? -- Representation and artistic value - Art and the visual -- Visual art and the non-visual -- Film as art -- Montage versus Longshot -- Talkies -- The 'auteur' in film -- The literary arts -- Poetry and prose -- The unity of form and content -- Figures of speech -- Expressive language -- Poetic devices -- Narrative and fiction -- Literature and understanding -- The performing arts -- Artist, audience, and performer -- Painting as the paradigm of art -- Nietzsche and the birth of tragedy -- Performance and participation -- The art of the actor -- Architecture as an art -- The peculiarities of architecture -- Form and function and 'the decorated -- Shed' façade, deception, and the 'Zeitgeist' -- Functionalism -- Formalism and 'space' -- Architectural expression -- Architecture and understanding -- Modern art -- The break with tradition -- Experimental art and the avant-garde - The art of the readymade -- Conceptual art -- The market in art -- Art and leisure -- The aesthetics of nature -- The objectivity of aesthetic evaluation -- The artist's intention -- The intentionalist -- 'Fallacy' -- Natural beauty -- Environmentalism and the aesthetics of nature -- Theories of art -- Defining art -- Art as an institution -- Sociology and the marxist theory of art - Lukacs and realism -- Levy-Strauss and structuralism -- Derrida and deconstruction -- Hegel and Schopenhauer : normative theory of art.
650 0 $aAesthetics.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip057/2005002568.html