Record ID | marc_records_scriblio_net/part15.dat:117570181:1571 |
Source | Scriblio |
Download Link | /show-records/marc_records_scriblio_net/part15.dat:117570181:1571?format=raw |
LEADER: 01571cam 22003258a 4500
001 2005012042
003 DLC
005 20050916084745.0
008 050427s2005 ctu b 001 0 eng
010 $a 2005012042
020 $a0300110006 (cl : alk. paper)
040 $aDLC$cDLC$dDLC
042 $apcc
043 $ae-it---
050 00 $aND623.T7$bP87 2005
082 00 $a759.5$222
100 1 $aPuttfarken, Thomas.
245 10 $aTitian and tragic painting :$bAristotle's 'poetics' and the rise of the modern artist /$cThomas Puttfarken.
260 $aNew Haven :$bYale University Press,$c2005.
263 $a0511
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- On the status of painting in the Renaissance -- Painting, poetry and the liberal arts -- Imitation, moral purpose and learning -- Tragedy -- Titian and tragedy -- The four great sinners -- Michelangelo and Titian: 'terribilità' and tragic 'pathos' -- Titian's mythological paintings: problems of interpretation -- Titian's 'poesie' for Philip II as painted tragedies -- The final tragedies and Titian's 'late style' -- Notes -- Bibliography -- Index.
600 00 $aTitian,$dca. 1488-1576$xCriticism and interpretation.
650 0 $aTragic, The, in art.
650 0 $aUt pictura poesis (Aesthetics)
600 00 $aAristotle$xInfluence.
650 0 $aPainting, Renaissance$zItaly.
650 0 $aPainters$zItaly$xSocial conditions$xHistory$y16th century.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0512/2005012042.html