MARC Record from Scriblio

LEADER: 01781cam 22003018a 4500
001 2005029467
003 DLC
005 20051014164135.0
008 051011s2005 inu b 001 0 eng
010 $a 2005029467
020 $a0268025770 (cloth : alk. paper)
020 $a0268025789 (pbk. : alk. paper)
040 $aDLC$cDLC
042 $apcc
043 $ae-ie---
050 00 $aML287$b.D38 2005
082 00 $a306.4/8420941509033$222
100 1 $aDavis, Leith,$d1960-
245 10 $aMusic, postcolonialism, and gender :$bthe construction of Irish national identity, 1724-1874 /$cLeith Davis.
260 $aNotre Dame, Ind. :$bUniversity of Notre Dame Press,$c2005.
263 $a0510
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aNation and notation : Irish music and print culture in the eighteenth century -- Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation -- "The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry -- Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance -- Patriotism and "woman's sentiment" in Sydney Owenson's hibernian melodies and the wild Irish girl -- A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace -- In Moore's wake : Irish music in Ireland after the Irish melodies -- Irish music, British culture, and the transatlantic experience.
650 0 $aMusic$zIreland$y18th century$xHistory and criticism.
650 0 $aMusic$zIreland$y19th century$xHistory and criticism.
650 0 $aPopular culture$zIreland$xHistory.
650 0 $aGender identity$zIreland.