| Record ID | marc_records_scriblio_net/part15.dat:139266083:1222 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part15.dat:139266083:1222?format=raw |
LEADER: 01222cam 22002658a 4500
001 2005033832
003 DLC
005 20051128135303.0
008 051122s2006 nyu bq 001 0 eng
010 $a 2005033832
020 $a0415380162
020 $a0415380170
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1995$b.I97 2006
082 00 $a791.4301/9$222
100 1 $aIzod, John,$d1940-
245 10 $aScreen, culture, psyche :$ba post-Jungian approach to working with the audience /$cJohn Izod.
260 $aNew York :$bRoutledge,$c2006.
263 $a0605
300 $ap. cm.
504 $aFilmography:
504 $aIncludes bibliographical references and index.
505 0 $aBarry Lyndon and the limits of understanding -- The hero as failure: Stanley Kubrick's Eyes wide shut -- What the camera took: Bernardo Bertolucci stealing beauty -- Personal and national politics in Bernardo Bertolucci's Besieged -- The politics of youth remembered: Bernardo Bertolucci's The dreamers -- Anima and the political dynamics of cultural stasis: the case of Simone -- Myths in British documentaries of the 1980's and 1990's -- Westerns, local, and global imperialism.
650 0 $aMotion pictures$xPsychological aspects.