| Record ID | marc_records_scriblio_net/part23.dat:111007585:1121 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part23.dat:111007585:1121?format=raw |
LEADER: 01121cam 2200301 a 4500
001 93020763
003 DLC
005 19950630074128.0
008 930713s1994 dcuab b 100 0 eng
010 $a 93020763
020 $a1560983396 (cloth : alk. paper)
020 $a156098340X (paper : alk. paper)
040 $aDLC$cDLC$dDLC
043 $af-nr---$af-dm---
050 00 $aNX589.6.N5$bY67 1994
082 00 $a700/.89/96333$220
245 04 $aThe Yoruba artist :$bnew theoretical perspectives on African arts /$cedited by Rowland Abiọdun, Henry J. Drewal, and John Pemberton III.
260 $aWashington :$bSmithsonian Institution Press,$cc1994.
300 $aix, 275 p. :$bill. (some col.), map ;$c29 cm.
500 $aBased on a 1992 symposium held at the Museum Rietberg Zürich.
504 $aIncludes bibliographical references (p. 251-266).
650 0 $aArts, Yoruba$xCongresses.
650 0 $aArts, Black$zNigeria$xCongresses.
650 0 $aArts, Black$zBenin$xCongresses.
700 10 $aAbiodun, Rowland.
700 10 $aDrewal, Henry John.
700 10 $aPemberton, John,$d1928-
710 20 $aMuseum Rietberg.