| Record ID | marc_records_scriblio_net/part24.dat:18887594:1494 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part24.dat:18887594:1494?format=raw |
LEADER: 01494cam 2200253 a 4500
001 93831789
003 DLC
005 20021207203547.0
008 930929s1992 bl a b s000 0 por
010 $a 93831789
020 $a8531400643
040 $aDLC$cDLC$dDLC
043 $as-bl---
050 00 $aN6659.C5$bM55 1992
100 1 $aMilliet, Maria Alice.
245 10 $aLygia Clark :$bobra-trajeto /$cMaria Alice Milliet.
260 $aSão Paulo, SP, Brasil :$bEdusp,$cc1992.
300 $a203 p. :$bill. ;$c23 cm.
440 0 $aTexto & arte ;$v8
504 $aIncludes bibliographical references (p. [195]-203).
520 1 $a"Lygia Clark (1920-88) refused any esthetic or stylistic classification of her work. She accepted only the evaluations of those who understood the sensitivity that was necessary for her to create a painting or an attitude. Maria Alice Milliet is just such a careful reviewer. In this examination of Clark's entire body of work, Milliet is interested in Clark's dialectic, in the tension she experienced between the inside and the outside. An original interpretative contribution to a better understanding of this 'creative-recreative' seminal personality in Brazilian avant-garde from the 1950s-80s. Interviews, bibliograpy and b/w photographs and reproductions"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
600 10 $aClark, Lygia,$d1920- $xCriticism and interpretation.
650 0 $aConcrete art$zBrazil.
700 1 $aClark, Lygia,$d1920-