| Record ID | marc_records_scriblio_net/part27.dat:100962674:1209 |
| Source | Scriblio |
| Download Link | /show-records/marc_records_scriblio_net/part27.dat:100962674:1209?format=raw |
LEADER: 01209cam 2200349 a 4500
001 98061288
003 DLC
005 20051216101201.0
008 980810s1999 enka b 001 0 eng c
010 $a 98061288
020 $a0500280975 (pbk.)
035 $a(OCoLC)40587969
040 $aUk$cUk$dCU-S$dMdU$dDLC
042 $apcc
043 $au-at---$au-nz---
050 00 $aN5313$b.T46 1999
082 04 $a303.482$221
100 1 $aThomas, Nicholas,$d1960-
245 10 $aPossessions :$bindigenous art, colonial culture /$cNicholas Thomas.
246 30 $aIndigenous art, colonial culture
260 $aNew York, N.Y. :$bThames and Hudson,$cc1999.
300 $a304 p. :$bill. (some col.) ;$c24 cm.
490 1 $aInterplay : arts, history, theory
504 $aIncludes bibliographical references and index.
650 0 $aFolk art$zAustralia.
650 0 $aFolk art$zNew Zealand.
650 0 $aIndigenous peoples$xColonization.
650 0 $aIndigenous peoples$xEthnic identity.
650 0 $aAboriginal Australians$xEthnic identity.
650 0 $aMaori (New Zealand people)$xEthnic identity.
650 0 $aArt, Modern$xPrimitive influences.
830 0 $aInterplay (New York, N.Y. : Thames and Hudson)