MARC Record from marc_uic

LEADER: 03431cam a2200541 a 4500
001 9934928912005897
005 20200409222008.0
008 800604s1980 nyua bc 001 0 eng
010 $a79056089
016 $a(AMICUS)000001526962
016 7 $a011660109$2Uk
019 $a6324969
020 $a0870705318
020 $a9780870705311
020 $a0870705415$q(pbk.)
020 $a9780870705410$q(pbk.)
035 $a1720429-01carli_network
035 $a(OCoLC)ocm06446675$z(OCoLC)6324969
035 $a(ILCdb)47657
035 $a(EXLNZ-01CARLI_NETWORK)991085313479705816
040 $aDLC$beng$cDLC$dOCLCQ$dMUQ$dYDXCP$dWY@$dNIALS$dEDK$dUKMGB$dOCLCA$dOCLCF$dCQ$$dOCLCQ$dOCLCO$dOCLCQ$dOCL$dNLC$dTFW$dOCLCO$dOCLCQ$dCPO$dPAU$dOCLCQ$dPEX$dOCLCQ$dILCdb
049 $aICHA
050 00 $aNE491$b.P76
055 0 $aNE491$b.P76
082 00 $a769.9/046/07401471
245 00 $aPrinted art :$ba view of two decades /$cRiva Castleman.
260 $aNew York, N.Y. :$bMuseum of Modern Art,$c©1980.
300 $a144 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with a loan exhibition at the Museum of Modern Art.
504 $aIncludes bibliographical references (pages 140-143).
505 0 $aPreface -- Printed art: a view of two decades -- Plates -- Catalog of the exhibition -- Bibliography.
520 $aThe explosive development of the practice and technology of printed art has been a fundamental characteristic of the art of the 1960s and 1970s. Never in the past have had so many artists devoted so much of their creative energy to the production of fine prints and to innovative work with printed materials, to the media of multiplication rather than the arts of the unique work. This book is an international survey of diverse styles and techniques of the period: the revival of traditional lithography and etching; the development and intensive use of silkscreen processes; the refinement of aquatint; adaptations of photographically induced images; experimentation with Xerox, rubber stamp, blueprint, and other commercial methods. Miss Castleman discusses the effect of new scientific processes, new papers and materials, and the growth of the audience for printed art, along with the establishment of fine workshop facilities and close collaboration between artists and technicians. She considers the intellectual influence of minimalist and conceptual art and comments upon the political and social implications of the artist's search for widespread communication of creative expression. More than a hundred works are illustrated, representing such artists as Jennifer Bartlett, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Kelly, Joan Miro, and Andy Warhol.
650 0 $aPrints$y20th century$vExhibitions.
650 6 $aEstampes$y20e siècle.
650 7 $aPrints.$2fast$0(OCoLC)fst01076812
648 7 $a1900-1999$2fast
653 0 $aPrints
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aCastleman, Riva.
710 2 $aMuseum of Modern Art (New York, N.Y.)
776 08 $iOnline version:$tPrinted art.$dNew York, N.Y. : Museum of Modern Art, ©1980$w(OCoLC)609833444
959 $a(ILCdb)47657
959 $a(UICdb)349289$9LOCAL
994 $a92$bICH