| Record ID | marc_uic/UIC_2022.mrc:111962544:1498 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:111962544:1498?format=raw |
LEADER: 01498cam a2200349I 4500
001 9920682112005897
005 20200410050546.0
008 740924s1932 nyu b 00010 eng d
010 $a32029479
035 $a1039834-01carli_network
035 $a(OCoLC)ocm01019090
035 $a(WHEdb)201905
035 $a(EXLNZ-01CARLI_NETWORK)991051662459705816
040 $cITD$dICW$dWHEdb
049 $aICWA
050 0 $aN62.R8$bL3 1932a
082 $a701
090 $aN62.R8$bL3 1932
092 $a701$bL121v
100 1 $aLadd, Henry,$d1895-1941.
245 14 $aThe Victorian morality of art;$ban analysis of Ruskin's esthetic, by Henry Ladd.
260 $aNew York,$bR. Long & R.R. Smith, inc.,$c1932.
300 $axi, 418 p.$c21 cm.
500 $aIssued also as thesis (PH.D.) Columbia university.
504 $aBibliography at end of each chapter.
505 0 $aThe truth and beauty of art. Eighteenth century traditions ; Ruskin and tradition ; New theories for a new public ; The case for truth ; The complex traditions of beauty ; The problem of beauty -- Morals and imagination. Nature and God ; The roots of beauty ; Imagination ; The morality of picture making ; Style ; Esthetic respectability -- "High seriousness". The moral conflict ; Ruskin's contributions ; Conclusion.
600 10 $aRuskin, John,$d1819-1900.
650 0 $aArt and morals.
650 0 $aAesthetics.
946 $aSubmitted to Backstage Phase 1.
959 $a(WHEdb)201905
959 $a(UICdb)206821$9LOCAL