| Record ID | marc_uic/UIC_2022.mrc:1544093:1315 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:1544093:1315?format=raw |
LEADER: 01315cam a2200433I 4500
001 99311812005897
005 20200411053346.0
008 720216s1953 enk 000 0 eng
010 $aa 54003738
015 $aGB66-21781
029 1 $aUKM$bb6621781
029 1 $aUKM$bb5313695
029 1 $aNLGGC$b128037466
035 $a219474-01carli_network
035 $a(OCoLC)ocm00242884
035 $9uc 09002909
035 $9AOZ-2289
035 $a(UIUdb)1891829
035 $a(EXLNZ-01CARLI_NETWORK)991011084229705816
040 $aDLC$cCWR$dFDA$dPVL$dUKM$dDIBAM$dNLGGC$dUIUdb
049 $aUIUU
084 $a24.12$2bcl
090 $aPN2061$b.R4 1953
090 $aPN2061$b.R4 1954$9LOCAL
092 $a792.028$220
100 1 $aRedgrave, Michael,$cSir.
245 14 $aThe actor's ways and means.
260 $aLondon,$bW. Heinemann$c[1953]
300 $a90 p.$bplates.$c23 cm.
490 1 $aThe Rockefeller Foundation lectures, Dept. of Drama, University of Bristol,$v1952-53
504 $aBibliographical references in Notes: pp. 87-90.
650 0 $aActing.
650 7 $aACTUACION TEATRAL.$2renib
650 17 $aActeren.$2gtt
699 9 $a792R243A
830 0 $aRockefeller Foundation lectures ;$v1952-53.
959 $a(UIUdb)1891829
959 $a(UICdb)3118$9LOCAL
994 $a92$bUIU