MARC Record from marc_uic

LEADER: 02123cam a22004451 4500
001 9936855812005897
005 20200409121728.0
008 711020s1966 nyua 000 0 eng
010 $a66026190
019 $a636014901
035 $a57289-01carli_network
035 $a(OCoLC)ocm00179297$z(OCoLC)636014901
035 $a(EIUdb)140517
035 $a(EXLNZ-01CARLI_NETWORK)991003008919705816
040 $aDLC$beng$cDLC$dBAKER$dAU@$dIDJ$dMCN$dFUT$dOCLCF$dCQ$$dYBM$dOCLCQ$dOCL$dRCC$dEIUdb
041 1 $aeng$hspa
049 $aIADA
050 00 $aN6490$b.P383
082 00 $a709.04
100 1 $aPellegrini, Aldo.
240 10 $aNuevas tendencias en la pintura.$lEnglish
245 10 $aNew tendencies in art.$cTranslated by Robin Carson.
260 $aNew York,$bCrown Publishers$c[1966]
300 $a320 pages$billustrations (some color)$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aAn art critic examines the products of artists and the movements in art from World War II to the present.
505 0 $aThe directions of modern art -- Chapter one: The avant-garde at the end of the second world war -- Chapter two: Reaction against concrete art -- Chapter three: Informalism as the dominant international tendency -- Chapter four: Informalism in the United States -- Chapter five: The reaction against informalism -- Chapter six: Currents opposed to informalism and strict visuality -- Chapter seven: The synthesis of neodadaism and strict visuality -- Chapter eight: Sociological aspects of postwar art.
650 0 $aArt, Modern$y20th century.
650 0 $aArt$xTechnique.
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aArt$xTechnique.$2fast$0(OCoLC)fst00815372
648 7 $a1900-1999$2fast
653 $aArt
653 $aArt, Modern
776 08 $iOnline version:$aPellegrini, Aldo.$sNuevas tendencias en la pintura. English.$tNew tendencies in art.$dNew York, Crown Publishers [1966]$w(OCoLC)557924434
959 $a(EIUdb)140517
959 $a(UICdb)368558$9LOCAL
994 $a92$bIAD