| Record ID | marc_uic/UIC_2022.mrc:1560076:5576 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:1560076:5576?format=raw |
LEADER: 05576cam a22005771 4500
001 99320112005897
005 20220128044102.0
008 730208s1960 nyu b 000 0 eng
010 $a 60009272
016 $a(AMICUS)000001203747
016 7 $a001373861$2Uk
020 $z0830520210
035 $a(OCoLC)00243333$z(OCoLC)639895467$z(OCoLC)1008342857$z(OCoLC)1063087917
035 $z(OCoLC)639895467$z(OCoLC)1008342857$z(OCoLC)1063087917
035 $a(OCoLC)ocm00243333
035 $a(EXLNZ-01CARLI_NETWORK)991046953269705816
040 $aDLC$beng$cDLC$dBTCTA$dLVB$dTDJ$dOCLCG$dOCLCQ$dZWZ$dICW$dOCLCO$dOCLCF$dOCLCQ$dOCL$dWVF$dNLC$dWOS$dOCLCQ$dTYC$dOCLCQ$dBOS$dPAU$dOCLCQ$dUKMGB$dCAOXN$dIL4J6$dOCLCO
043 $an-us-ny
049 $aUIUU
050 00 $aPN1851$b.G3 1960
082 00 $a792.01
100 1 $aGassner, John,$d1903-1967.
245 10 $aTheatre at the crossroads;$bplays and playwrights of the mid-century American stage.
250 $a[1st ed.].
260 $aNew York,$bHolt, Rinehart and Winston$c[1960]
300 $a327 pages$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
340 $m8vo.$2rdabf
365 $a01$b2.80$cUSD
504 $aIncludes bibliographical references.
505 00 $tPart one : Interrogations and persuasions --$tScript or spotlight? --$tPlaywriting at the crossroads --$tWhat price exaltation? --$tReasons for social drama --$tNew tragic perspectives? --$tEugene O'Neill : the course of a major dramatist --$tTennessee Williams : 1940-60 --$tJean Giraudoux as virtuoso --$tFoundation or no foundation --$tThe practicality of impractical criticism --$tOff-Broadway, past and present --$tPart two : New York chronicle, 1950-1960 --$tEbb tide. Entropy? --$tThe Country Girl : Odets in the fifties --$tBarry and Sherwood : Second Threshold --$tLillian Hellman : The Autumn Garden --$tAllegory : Coxe and Chapman's Billy Budd --$tKingsley's Darkness at Noon and political drama --$tPoints of return --$tVan Druten's I am a Camera and the Chekhov myth --$tMarquand and Osborn : Point of no Return --$tThe Grass Harp : Capote versus Saroyan --$tThe Cave Dwellers : Saroyan's return --$tThe Flowering Peach : Odets, yea-and-nay --$tReligion and Graham Greene's The Potting Shed --$tLow Men on a totem pole --$tLow tragedy in Macken's Home Is the Hero --$tGazzo's A Hatful of Rain : the real and the grotesque --$tClinic and symbol in Wishengrad's The Rope Dancers --$tLaurents : A Clearing in the Woods --$tFaulkner : Requiem for a Nun --$tWilliam Inge and the subtragic muse : The Dark at the Top of the Stairs --$tJohn Osborne's Look Back in Anger --$tEpitaph for George Dillion and The Entertainer --$tToo Late for Phalarope : alternatives in social drama --$tNash : A Handful of Fire --$tPast and present. American Shakespeare : Othello, Much Ado About Nothing, and The Merchant of Venice --$tProducing Miss Julie and Uncle Vanya --$tReviving Turgenev's A Month in the Country --$tThe Doctor's Dilemma and Saint Joan : Shaw half-revived --$tThe comic muse --$tAmerican musical comedy --$tMenasha Skulnik in The Fifth Season --$tAymé's Clérambard --$tThe lesson of the Comédie Française --$tTwo for the Seesaw and The Seesaw Log --$tTennessee Williams --$tSummer and Smoke : Williams' shadow and substance --$tWilliams' descent: Orpheus Descending --$tWilliams' "Garden" --$tWilliams' Sweet Bird of Youth --$tThe latter-day O'Neill --$tThe Iceman Cometh intact --$tA Moon for the Misbegotten --$tLong Day's Journey into Night --$tA Touch of the Poet --$tEuropean vistas --$tTyrone Guthrie's or Pirandello's Six Characters --$tHarlequinade in Anouilh's Mademoiselle Colombe --$tAnouilh's The Lark : The theatricalist Joan --$tThe Waltz of the Toreadors : Anouilh's Valse Triste --$tBeckett : Waiting for Godot --$tBeckett's Endgame and symbolism --$tIonesco : The Lesson and The Chairs ; Brecht's epic parable : The Good Woman of Setzuan at the Phoenix --$tDuerrenmatt : The Visit --$tAffirmations? --$tMiller's The Crucible as event and play --$tCorwin's The Rivalry --$tMary Stuart at the Phoenix : A future for poetic drama --$tFry : The Firstborn --$tO'Casey : Pictures in the Hallway --$tMore "Readings" : O'Casey and Dylan Thomas --$tRobert Anderson : All Summer Long and Tea and Sympathy --$tDramatizing fiction : Look Homeward, Angel --$tUlysses in Nighttown : Mostel at the Rooftop --$tMacLeish's J.B : Yale and Broadway --$tAnd these others.
650 0 $aDrama$y20th century$xHistory and criticism.
650 0 $aTheater$zNew York (State)$zNew York.
650 1 $aDrama$y20th century$xHistory and criticism.
650 1 $aTheater$zNew York (State)$zNew York.
650 6 $aThéâtre (Genre littéraire)$y20e siècle$xHistoire et critique.
650 6 $aThéâtre$zNew York (État)$zNew York.
650 7 $aDrama.$2fast$0(OCoLC)fst00897468
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
650 7 $aTheater$zNew York (State)$zNew York.$2nli
650 7 $aThéâtre$zÉtats-Unis$zNew York (N.Y.)$2ram
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aGassner, John, 1903-1967.$tTheatre at the crossroads.$b[1st ed.].$dNew York, Holt, Rinehart and Winston [1960]$w(OCoLC)568690601
938 $aBaker and Taylor$bBTCP$n60009272 /L/r962
945 $aLBD data change$b01/28/2022
959 $a(UICdb)3201$9LOCAL
994 $a92$bUIU