| Record ID | marc_uic/UIC_2022.mrc:209310071:3810 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:209310071:3810?format=raw |
LEADER: 03810cam a2200481 i 4500
001 9920407912005897
005 20200409161228.0
008 770304s1977 nyu 000 0 eng
010 $a76062494
020 $a0394721942$q(pbk.)
020 $a9780394721941$q(pbk.)
035 $a741661-01carli_network
035 $a(OCoLC)ocm02967803
035 $a(EIUdb)40627
035 $a(EXLNZ-01CARLI_NETWORK)991036975939705816
040 $aDLC$beng$cDLC$dBUF$dMUQ$dBTCTA$dAU@$dOCLCO$dOCLCF$dOCLCQ$dOVY$dOCLCO$dOCL$dEIUdb
043 $an-us---
049 $aIADA
050 00 $aPN1995$b.A86
082 00 $a791.43/0973
245 00 $aAwake in the dark :$ban anthology of American film criticism, 1915 to the present /$cedited by David Denby.
250 $a1st ed.
260 $aNew York :$bVintage Books,$c1977.
300 $axxii, 391 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 00 $g1.$tIn defense of a popular new art form:$tThirty differences between the photoplays and the stage (1915) /$rVachel Lindsay --$tThe Keystone the builders rejected (1923) /$rGilbert Seldes --$tStyle and medium in the motion pictures (1934; revised 1947) /$rErwin Panofsky --$tLife goes to the pictures (1940) /$rOtis Ferguson --$tDavid Wark Griffith (1948) /$rJames Agee --$tUnderground films (1957) /$rManny Farber --$tBonnie and Clyde (1967) --$g2.$tFilm as high art:$tThe passion of Jeanne d'Arc (1929) /$rHarry Alan Potamkin --$tM (1933) /$rWilliam Troy --$tLa notte (1962) /$rStanley Kauffmann --$t8 1/2: Fellini's obvious masterpiece (1964) /$rDwight Macdonald --$tThe passion of Anna (1970) --$g3.$tCritical method:$tPreface to The immediate experience (1954) /$rRobert Warshow --$tCircles and squares: joys and Sarris (1963) /$rPauline Kael --$tA critical credo (1967) /$rJohn Simon --$tToward a theory of film history -introduction to The American cinema (1968) /$rAndrew Sarris --$tState of siege (1973) /$rAndrew Sarris --$tNotes on a screenwriter's theory, 1973 -introduction to Talking pictures (1973) /$rRichard Corliss --$g4.$tGenres:$tComedy's greatest era (1949) /$rJames Agee --$tThe Westerner (1954) /$rRobert Warshow --$tThe imagination of disaster (1967) /$rSusan Sontag --$tNotes on Film noir (1972) /$rPaul Schrader --$g5.$tDirectors:$tUndirectable director: John Huston (1950) /$rJames Agee --$tPreston Sturges: success in the movies (1954) /$rManny Farber (with W.S. Poster) --$tJohn Ford: The grapes of wrath (1973) /$rAndrew Sarris --$tNotes on the nihilist poetry of Sam Peckinpah (1976) --$g6.$tPerformers:$tCagney: great guy (1937) /$rOtis Ferguson --$tThe decline of the actor (1966) /$rManny Farber --$tThe awful fate of the sex goddess (1968) /$rParker Tyler --$tLangdon (1971) /$rPenelope Gilliatt --$tMarlon Brando (1973) /$rMolly Haskell --$g7.$tEntertainment:$tArtists among the flickers (Three songs about Lenin) (1934) /$rOtis Ferguson --$tThree short reviews (1945-48) /$rJames Agee --$tThe greatest story ever told (1965) /$rDwight Macdonald --$tThree program notes (1966) /$rPauline Kael.
530 $aAlso issued online.
650 0 $aFilm criticism$zUnited States.
650 0 $aMotion pictures.
650 6 $aCritique cinématographique$zÉtats-Unis.
650 6 $aCinéma.
650 7 $aFilm criticism.$2fast$0(OCoLC)fst00924259
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aMotion pictures.$2fast$0(OCoLC)fst01726252
655 7 $aMotion pictures.$2lcgft
700 1 $aDenby, David,$d1943-
776 08 $iOnline version:$tAwake in the dark.$b1st ed.$dNew York : Vintage Books, 1977$w(OCoLC)557941811
959 $a(EIUdb)40627
959 $a(UICdb)204079$9LOCAL
994 $a92$bIAD