MARC Record from marc_uic

LEADER: 03807cam a2200697 a 4500
001 9931896612005897
005 20200409155901.0
008 820810s1983 enka 001 0 eng
010 $a82014613
015 $aGB8304160$2bnb
019 $a489867872$a877068651$a1008186811
020 $a0521243718
020 $a9780521243711
020 $a0521286476$q(pbk.)
020 $a9780521286473$q(pbk.)
035 $a701423-01carli_network
035 $a(OCoLC)ocm08728172$z(OCoLC)489867872$z(OCoLC)877068651$z(OCoLC)1008186811
035 $a(EIUdb)9442
035 $a(EXLNZ-01CARLI_NETWORK)991034998319705816
040 $aDLC$beng$cDLC$dBAKER$dXY4$dNLGGC$dBTCTA$dYDXCP$dNLE$dZWZ$dBUR$dCHRRO$dBDX$dGBVCP$dOCLCF$dOCLCO$dOCLCQ$dOCLCO$dI8M$dOCLCQ$dCSJ$dOCLCO$dOCLCQ$dOCLCO$dOCLCQ$dEIUdb
043 $ae------
049 $aIADA
050 00 $aN7477$b.W66 1983
082 00 $a750/.1/1$219
084 $a20.30$2bcl
100 1 $aWoodford, Susan.
245 10 $aLooking at pictures /$cSusan Woodford.
260 $aCambridge [Cambridgeshire] ;$aNew York :$bCambridge University Press,$c1983.
300 $a112 pages :$billustrations (some color) ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCambridge introduction to the history of art ;$vv. [8]
500 $aIncludes index.
505 0 $aWays of looking at pictures -- Landscape and seascape -- Portraits -- Everyday life and everyday things : genre and still life -- History and mythology -- Religious images -- Pictures as decorations on flat surfaces -- Tradition -- Considerations of design and organisation -- Problems in the depiction of space -- An approach to stylistic analysis : Renaissance and Baroque contrasted -- Hidden meanings -- Quality.
520 $aLooking at pictures can be enjoyable, exciting or moving. Some pictures are easily appreciated at first glance, but others--often the most rewarding--require some explanation before they can be fully understood. This book is intended both to increase pleasure and stimulate thought, and tackles many aspects of looking at paintings. Starting with familiar ideas, Dr Susan Woodford moves on to explore subtler, less obvious concepts. For example, she shows how paintings can be appreciated as patterns on a flat surface and how the illusion of depth can contribute to an emotional effect; how ordinary objects can conceal hidden meanings; and how knowledge of tradition improves our understanding of revolutionary works.--From publisher description.
600 07 $aPeinture$xAppréciation.$2ram
650 0 $aArt appreciation.
650 0 $aPictures$xThemes, motives.
650 0 $aPicture interpretation.
650 0 $aVisual perception.
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aPicture interpretation.$2fast$0(OCoLC)fst01063808
650 7 $aPictures$xThemes, motives.$2fast$0(OCoLC)fst01063835
650 7 $aVisual perception.$2fast$0(OCoLC)fst01168049
650 17 $aBeeldende kunsten.$2gtt
650 7 $aArt$xAppréciation.$2ram
650 7 $aIllustrations, images, etc.$xInterprétation.$2ram
650 7 $aIllustrations, images, etc.$xThèmes, motifs.$2ram
650 7 $aPerception des images.$2ram
650 7 $aart$xméthodologie$xperception.$2rero
653 0 $a11030$apaintings$aEuropean$a21030$aappreciation
653 0 $aArt appreciation
653 0 $aPicture interpretation
653 0 $aPictures$aThemes, motives
653 0 $aVisual perception
830 0 $aCambridge introduction to the history of art ;$vv. 8.
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/cam022/82014613.html
959 $a(EIUdb)9442
959 $a(UICdb)318966$9LOCAL
994 $a92$bIAD