| Record ID | marc_uic/UIC_2022.mrc:37391458:4730 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:37391458:4730?format=raw |
LEADER: 04730cam a2200793 a 4500
001 99179647012005897
005 20220106213020.0
008 031210s2004 ilua b 001 0 eng
010 $a 2003026970
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035 $a(OCoLC)53900807$z(OCoLC)1022615270
035 $z(OCoLC)1022615270
035 $a(OCoLC)ocm53900807
035 $a(EXLNZ-01CARLI_NETWORK)991084259339705816
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049 $aMAIN
050 00 $aPN1998.3.C6635$bP35 2004
082 00 $a791.4302/33/092273$222
084 $a24.32$2bcl
084 $aAP 51085$2rvk
100 1 $aPalmer, R. Barton,$d1946-
245 10 $aJoel and Ethan Coen /$cR. Barton Palmer.
260 $aUrbana and Chicago :$bUniversity of Illinois Press,$c©2004.
300 $a207 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aContemporary film directors
590 $aOCLC$bWorldCat Holdings
504 $aIncludes bibliographical references (page 201) and index.
505 0 $aIntroduction. A brief portrait of the artists -- A different meaning for the same old song : Blood simple -- The Coen brothers : postmodern filmmakers -- Uncertainty principle : The man who wasn't there -- The exotic everyday : Fargo -- The artist, mass culture, and the common man : Barton Fink and Raising Arizona -- Classic Hollywood redivivus : The Hudsucker proxy and O brother, where art thou? -- The Coen brothers interviewed.
520 $a"With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book."--Book cover.
600 10 $aCoen, Joel$xCriticism and interpretation.
600 10 $aCoen, Ethan$xCriticism and interpretation.
600 17 $aCoen, Ethan.$2fast$0(OCoLC)fst00226875
600 17 $aCoen, Joel.$2fast$0(OCoLC)fst00230929
600 17 $aCoen, Ethan$d1957-$2gnd
600 17 $aCoen, Joel$d1954-$2gnd
600 17 $aCoen, Ethan,$d1957-$2rasuqam
600 17 $aCoen, Joel,$d1954-$2rasuqam
600 17 $aCoen, Joel.$2swd
600 17 $aCoen, Ethan.$2swd
600 14 $aCoen, Joel.
600 14 $aCoen, Ethan.
650 17 $aFilmkunst.$2gtt
650 17 $aFilmregisseurs.$2gtt
650 7 $aCinéma.$2rasuqam
650 7 $aRéalisateur de cinéma.$2rasuqam
650 07 $aFilm.$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aPalmer, R. Barton, 1946-$tJoel and Ethan Coen.$dUrbana and Chicago : University of Illinois Press, ©2004$w(OCoLC)607466051
776 08 $iOnline version:$aPalmer, R. Barton, 1946-$tJoel and Ethan Coen.$dUrbana and Chicago : University of Illinois Press, ©2004$w(OCoLC)607930448
830 0 $aContemporary film directors.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0412/2003026970.html
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