| Record ID | marc_uic/UIC_2022.mrc:4584132:4187 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:4584132:4187?format=raw |
LEADER: 04187cam a2200577 a 4500
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005 20200409214026.0
008 710315s1969 mauabcf b 001 0 eng
010 $a68028457
016 7 $a013885368$2Uk
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049 $aJBGA
050 00 $aN6517$b.P5
051 $aN6517$b.P5 Copy 3
082 00 $a760/.09748/13
100 1 $aPitz, Henry C.$q(Henry Clarence),$d1895-1976.
245 14 $aThe Brandywine tradition /$cHenry C. Pitz.
260 $aBoston :$bHoughton Mifflin,$c1969.
300 $axv, 252 pages, 48 unnumbered pages of plates :$billustrations (some color), map, portraits ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 243-246) and index.
505 0 $aThe valley and its people -- The battle of the Brandywine -- Talent in the valley -- Howard Pyle -- the formative years -- Growing up in Wilmington -- New York apprenticeship -- Moving toward fame -- The artist becomes a teacher -- Open country -- Chadds Ford -- School and colony -- The crux of instruction -- The years of fame -- Italy -- the last year -- Four teaching disciples -- The web of influence spreads -- Newell convers Wyeth -- A family of artists -- Andrew Wyeth -- The future of a tradition.
530 $aAlso issued online.
520 1 $aThe Brandywine is a river, and a valley, running from southeastern Pennsylvania into Delaware, still ""a pastoral landscape dotted with structures of indigenous stone, "" where a Revolutionary battle was fought and fashioned into legend, where a tradition of romantic illustration arose around Howard Pyle and, tempered by the strictures of pure form, continues in the person of Andrew Wyeth. This is auspiciously timed: the issuance of the magnum Wyeth opus will concentrate attention on his antecedents. Father N.C. Wyeth was Pyle's most famous pupil and Pyle, more significant as teacher than as artist, emerges most vividly via N.C.'s recollections. Mr. Pitz, a self-designated second generation Pylet light (at the Philadelphia Museum School of Art), integrates other students' experiences also, and he knows the Wyeth dynasty well. It's an assiduous ordering of particulars, only an eddy in art history perhaps, but with the many illustrations (in color and black-and-white), an ingratiating reminder of affirmative insularity.$c--Kirkus Review.
590 $aOCLC$bWorldCat Holdings
600 10 $aPyle, Howard,$d1853-1911$xInfluence.
600 17 $aPyle, Howard,$d1853-1911$2fast$0(OCoLC)fst00038491
650 0 $aArtists$zBrandywine Creek Valley (Pa. and Del.)
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
651 7 $aUnited States$zBrandywine Creek Valley.$2fast$0(OCoLC)fst01311658
655 7 $aDust jackets (Bindings)$y1969.$2rbbin
655 7 $aAuthors' autographs (Provenance)$xPitz$y1969.$2rbprov
710 2 $aFitzgerald Rivers of America Collection (Library of Congress)$5DLC
776 08 $iOnline version:$aPitz, Henry Clarence, 1895-1976.$tBrandywine tradition.$dBoston, Houghton Mifflin, 1969 [©1968]$w(OCoLC)558035760
856 42 $uhttp://pabook.libraries.psu.edu/palitmap/bios/Pitz__Henry_C.html
856 42 $uhttps://www.kirkusreviews.com/book-reviews/henry-c-pitz/the-brandywine-tradition/
938 $aBaker and Taylor$bBTCP$n68028457 //r883
959 $a(LLCdb)15623
959 $a(UICdb)369875$9LOCAL
994 $a92$bJBG