MARC Record from marc_uic

LEADER: 03113cam a2200385 a 4500
001 9978175012005897
005 20210209144624.0
008 921231s1993 ctuab b 001 0 eng
010 $a92045911
020 $a0300053894
035 $a2725368-01carli_network
035 $a(OCoLC)ocm27266533
035 $a(WHEdb)376551
035 $a(EXLNZ-01CARLI_NETWORK)991027923309705816
040 $aDLC$cDLC$dUKM$dICW$dWHEdb
043 $ae-uk-en
049 $aICWA
050 00 $aND497.T8$bH56 1993
090 $aND497.T8$bH56 1993
092 $a759.2$bT854Yh
100 1 $aHill, David,$d1953-
245 10 $aTurner on the Thames :$briver journeys in the year 1805 /$cDavid Hill.
260 $aNew Haven :$bYale University Press,$cc1993.
300 $ax, 182 p. :$bill. (some col.), col. map ;$c25 x 29 cm.
504 $aIncludes bibliographical references (p. 178-179) and index.
505 0 $aI. Landscape of Youth: Early Work and Exploration -- II. Imagination Flowing: Thames Studies of 1805. I. Isleworth and Kew. II. Richmond. III. Windsor. IV. The River Wey. V. Walton Bridge. VI. The Thames from Richmond to Oxford. VII. London and the Estuary -- III. River of Time: Studio Pictures and Later Work. I. Splashing to Paradise. II. Real Lives. III. Relentless Flow. IV. The Isleworth Sketchbooks.
520 $a"J.M.W. Turner had a lifelong association with the River Thames. He was born near the river and throughout his life he maintained a home on or within wasy reach of its banks. Thames scenery was a favourite source of inspiration for paintings, watercolours and sketches. In 1805, Turner moved into Syon Ferry House, overlooking the Thames at Isleworth. He spent the succeeding months sailing and fishing, reading and dreaming, filling his sketchbooks with vivid records of his observations and imaginings and painting oil sketches that rank among the most immediate and vital works he produced. In this book, David Hill retraces Turner's journeys along the Thames during 1805: his explorations of the river in his immediate neighbourhood; his sailing trips upstream to Oxford or trips down the River Wey to Guildford and Godalming, and his adventures downstream through the port of London and out to the open waters of the Estuary and the Nore. Hill charts the growth of Turner's association with the river, the way in which he transformed his sketches from this period into paintings and influence of his Thames experience on the rest of his career. Combining art historical research with topographical and social history, Hill provides a chronology of Turner's sketches in different media and identifies and describes the scenery and buildings they depicted."--Amazon.com.
600 10 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851.
600 10 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851$xNotebooks, sketchbooks, etc.
650 0 $aThames River (England) in art.
700 1 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851.
946 $aSubmitted to Backstage Phase 1.
959 $a(WHEdb)376551
959 $a(UICdb)781750$9LOCAL
994 $aX0$bICW