| Record ID | marc_uic/UIC_2022.mrc:71938698:952 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:71938698:952?format=raw |
LEADER: 00952pam a2200289 a 4500
001 9957494212005897
005 20200417021558.0
008 880412s1988 enka b 001 0 eng
010 $a88014929
020 $a0521368286 (pbk.)
035 $a3374954-01carli_network
035 $a(OCoLC)ocm17876459
035 $a(NPUdb)127956
035 $a(EXLNZ-01CARLI_NETWORK)991059754789705816
040 $aDLC$cDLC$dICZ$dNPUdb
049 $aICZA
050 0 $aPN1995$b.R68 1988
100 1 $aRothman, William.
245 15 $aThe "I" of the camera :$bessays in film criticism, history, and aesthetics /$cWilliam Rothman.
260 $aCambridge [England] ;$aNew York, N.Y. :$bCambridge University Press,$c1988.
300 $axix, 210 p. :$bill. ;$c24 cm.
440 0 $aCambridge studies in film.
500 $aIncludes index.
504 $aBibliography: p. xviii-xix.
650 0 $aMotion pictures
959 $a(NPUdb)127956
959 $a(UICdb)574942$9LOCAL