| Record ID | marc_uic/UIC_2022.mrc:96319380:3564 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:96319380:3564?format=raw |
LEADER: 03564cam a2200541 i 4500
001 9941182712005897
005 20200409223653.0
008 841211s1985 nyua b 000 0 eng
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020 $a0195035739$q(paperback)
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049 $aICHA
050 00 $aPN1994$b.M364 1985
080 $a791.43.01(082)
082 00 $a791.43$219
083 0 $aCinema films Readings
245 00 $aFilm theory and criticism :$bintroductory readings /$c[edited by] Gerald Mast, Marshall Cohen.
250 $aThird edition.
264 1 $aNew York :$bOxford University Press,$c1985.
300 $axxi, 852 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 846-852).
505 0 $aFilm and reality -- Film image and film language -- The film medium -- Film, theater, and literature -- Film genres -- The film artist -- Film: psychology, society, and ideology.
520 $aBrought up to date with an expanded range of selections, extended historical coverage, and a dedicated pluralistic commitment, the third edition of this highly popular text on film aesthetics features major additions of contemporary topics in film theory--including psychoanalytic, feminist, and Marxist approaches--and new essays on television, horror films, and experimental movie making. Of the 53 selections, 13 are new. The section "Kinds of Film" has been retitled "Film Genres" and concentrates exclusively on the distinctions within a single type of film: classical Hollywood narrative cinema. The final section, now called "Film: Psychology, Society, and Ideology" is substantially revised to take into account film's relationship to its consumers: how films shape or reflect cultural attitudes, reinforce or reject dominant modes of cultural thinking, and stimulate or frustrate people's needs and drives. Throughout the book chapter introductions have been rewritten to reflect today's concerns. Current and comprehensive, the book that The Journal of Aesthetics and Art Criticism called "the best collection available on the disparate comments in the fields of film theory and criticism" is now even better.
650 0 $aMotion pictures.
650 1 $aMoving-picture criticism$xAddresses, essays, lectures.
650 6 $aCinéma.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aCinéma.$2ram
653 $aCinema films
655 7 $aMotion pictures.$2fast$0(OCoLC)fst01726252
655 7 $aMotion pictures.$2lcgft
700 1 $aMast, Gerald,$d1940-1988,$eeditor.
700 1 $aCohen, Marshall,$eeditor.
776 08 $iOnline version:$tFilm theory and criticism.$b3rd ed.$dNew York : Oxford University Press, 1985$w(OCoLC)607737696
959 $a(ILCdb)68698
959 $a(UICdb)411827$9LOCAL
994 $a92$bICH