Record ID | marc_university_of_toronto/uoft.marc:2651767667:1857 |
Source | University of Toronto |
Download Link | /show-records/marc_university_of_toronto/uoft.marc:2651767667:1857?format=raw |
LEADER: 01857cam 22002653 4500
008 760621s1955 cau cg z bm 1 eng c
041 0 $aenglat
045 $au5v2
090 8 $aML 410 .L24R5$bMUSI$fmcd$c1
100 10 $aRichards, James Edward,$d1918-
245 14 $aThe "grand motet" of the late Baroque in France as exemplified by Michel-Richard de Lalande and a selected group of his contemporaries.
260 0 $aRochester, N.Y.,$bUniversity of Rochester Press,$cc1955.
300 $a2 v.$bport., music.
500 $aThe music is for chorus (SATB), in varying combinations, and string orchestra, with realization of the figured bass for organ. Latin words.
500 $aAppendices (v. 1, leaves [269]-305): A. Index of compositions by Michel-Richard de Lalande. B. Ornaments found in the "grand motets".- (v. 2): C. Ten complete "grand motets" by Michael-Richard de Lalande. D. Six complete "grand motets" by contemporaries of de Lalande.
502 $aThesis - University of Southern California.
504 $aBibliography: v. 1, leaves [254]-267.
533 $aVol. 1: microprint copy (positive) of typescript; v. 2: microprint copy of author's transcription, in modern notation, of 10 motets by de Lalande.$e35 cards.
600 10 $aLalande, Michel Richard de,$d1657-1726
650 0 $aMotet
650 0 $aChoruses, Sacred (Mixed voices) with string orchestra$yTo 1800$xScores
700 10 $aLalande, Michel Richard de,$d1657-1726.$tMotets.$pSelections
948 $a07/14/1992$b09/25/1998
949 $aML410 .L24 .R5$wLC$c1$i31761064574585$d24/11/2006$e24/11/2006$lSTACKS$mMUSIC$n1$rY$sY$tMICROFORM$u14/8/1994$o.CIRCNOTE. barcode for vol. 1 is on the back of the first card of v.1(8 cards)
949 $aML410 .L24 R5 MUSI V.2 (27$wLC$c1$i31761051910107$d1/6/2001$lSTACKS$mMUSIC$n1$q1$rY$sY$tMICROFORM$u1/6/2001$o.STAFF. BAR CODE ON BACK OF CARD 1 (V.2)