| Record ID | marc_university_of_toronto/uoft.marc:292394517:959 |
| Source | University of Toronto |
| Download Link | /show-records/marc_university_of_toronto/uoft.marc:292394517:959?format=raw |
LEADER: 00959cam 2200181b 4500
008 660701s1924 enk eng e
046 $aLC
050 4 $aML1705$bG45 1924
090 8 $aML 1705 .G45 1924$bMUSI$c1
100 10 $aGilman, Lawrence,$d1878-1939
245 00 $aAspects of modern opera;$bestimates and inquiries,$cby Lawrence Gilman ...
260 0 $aLondon,$bJ. Lane, The Bodley Head,$c1924.
300 $a5 p. l., 3-215, [1] p.
500 $a"Some of the material contained in the foregoing studies appeared originally in articles published in Harper's weekly, the North American review, and the Musician." - Note.
505 0 $aIntroductory: The Wagnerian aftermath.- A view of Pucini.- Strauss' "Salome": its art and its morals.- A perfect music-drama [Pelléas et Mélisande]
650 0 $aOpera
948 $a07/14/1992$b09/20/1998
949 $aML1705 .G45 1924$wLC$c1$i31761045127651$d18/1/2008$e18/1/2008$kCHECKEDOUT$lSTACKS$mMUSIC$n3$q2$rM$sY$tBOOK$u12/8/1994