| Record ID | marc_university_of_toronto/uoft.marc:5494677751:3118 |
| Source | University of Toronto |
| Download Link | /show-records/marc_university_of_toronto/uoft.marc:5494677751:3118?format=raw |
LEADER: 03118cam 2200241 a 4500
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008 830721s1992 nyuacf b 001 0 eng d
020 $a0809005425
041 1 $aeng$hger
050 4 $aPN2021$b.B68 1992g
100 1 $aBrecht, Bertolt,$d1898-1956.
245 10 $aBrecht on theatre :$bthe development of an aesthetic /$cedited and translated by John Willett.
246 30 $aOn theatre
260 $aNew York :$bHill and Wang,$c1992.
300 $a294 p., [32] p. of plates :$bill., ports. ;$c21 cm.
504 $aIncludes bibliographical references and index.
505 0 $a1. Frank Wedekind -- 2. A Reckoning -- 3. Emphasis on Sport -- 4. Three Cheers for Shaw -- 5. Conversation with Bert Brecht -- 6. A Radio Speech -- 7. Shouldn't we Abolish Aesthetics? -- 8. The Epic Theatre and its Difficulties -- 9. Last Stage: Oedipus -- 10. A Dialogue about Acting -- 11. On Form and Subject-Matter -- 12. An Example of Paedagogics -- 13. The Modern Theatre is the Epic Theatre -- 14. The Literarization of the Theatre -- 15. The Film, the Novel and Epic Theatre -- 16. The Radio as an Apparatus of Communication -- 17. The Question of Criteria for Judging Acting -- 18. Indirect Impact of the Epic Theatre -- 19. Interview with an Exile -- 20. Theatre for Pleasure or Theatre for Instruction -- 21. The German Drama: pre-Hitler -- 22. Criticism of the New York Production of Die Mutter -- 23. On the Use of Music in an Epic Theatre -- 24. Alienation Effects in Chinese Acting -- 25. Notes to Die Rundkopfe und die Spitzkopfe -- 26. On Gestic Music -- 27. The Popular and the Realistic.
505 0 $a28. On Rhymeless Verse with Irregular Rhythms -- 29. The Street Scene -- 30. On Experimental Theatre -- 31. New Technique of Acting -- 32. Two Essays on Unprofessional Acting -- 33. Notes on the Folk Play -- 34. Alienation Effects in the Narrative Pictures of the Elder Brueghel -- 35. A Little Private Tuition for my Friend Max Gorelik -- 36. Building up a Part: Laughton's Galileo -- 37. 'Der Messingkauf': an editorial note -- 38. A Short Organum for the Theatre -- 39. Masterful Treatment of a Model -- 40. From the Mother Courage Model -- 41. Does Use of the Model Restrict the Artist's Freedom? -- 42. Formal Problems Arising from the Theatre's New Content -- 43. Stage Design for the Epic Theatre -- 44. From a Letter to an Actor -- 45. Some of the Things that can be Learnt from Stanislavsky -- 46. Theaterarbeit: an editorial note -- 47. Notes on Erwin Strittmatter's Play Katzgraben -- 48. Study of the First Scene of Shakespeare's Coriolanus -- 49. Cultural Policy and Academy of Arts.
505 0 $a50. Conversation about being Forced into Empathy -- 51. Classical Status as an Inhibiting Factor -- 52. Can the Present-day World be Reproduced by Means of Theatre? -- 53. Appendices to the 'Short Organum' -- 54. 'Dialectics in the Theatre': an editorial note -- 55. Our London Season.
650 0 $aTheater.
700 1 $aWillett, John.
949 $aPN2021 .B683 1992$wLC$c1$i31761070683719$d17/12/2007$e29/11/2007$f26/7/2007$g1$lSTACKS$mVIC_PRATT$n3$rY$sY$tBOOK$u7/6/2007