MARC Record from University of Prince Edward Island

LEADER: 01781cam a2200193 4500
008 700715s1970 nyuagh 00100 eng
020  $a08014055
035 5 $a(Sirsi) AAC-9
090 13 $aML55.C75$i3734800029
245 24 $aThe Computer and music /$cedited by Harry B. Lin
260 ol $aIthaca :$bCornell University Press,
300 c1 $axvi, 354 p. :$bill., facsims., music. ;
505 25 $aMusicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E.
650 ob $aMusic$xData p
650 oc $aComp
700 te $aLincol
948 , $a02/08/199
949 $b09/12/2001 $aML55.C75$wLC
901 mU $zNOITEM $a27771