MARC Record from Western Washington University

LEADER: 02130cam 22003258a 45 0
001 ocm56752154
003 OCoLC
005 20051003051750.0
008 041004s2005 nsca 001 0 eng
020 $a0919616429 :
040 $aNLC$beng$cNLC$dOCLCQ$dUMC$dXFF
043 $an-us-ny
049 $aXFFA
090 $aN7445.2$b.J8 2005
100 1 $aJudd, Donald,$d1928-1994
245 10 $aComplete writings 1959-1975 :$bgallery reviews, book reviews, articles, letters to the editor, reports, statements, complaints /$cDonald Judd.
250 $a2005 ed.
260 $aHalifax, N.S. :$bPress of the Nova Scotia College of Art and Design ;$aNew York :$bNew York University Press,$c2005.
263 $a0501
300 $avii, 229 p. :$bill. ;$c28 cm.
520 1 $a"Donald Judd's uncompromising reviews avoid the familiar generalizations so often associated with the styles emerging during the 1950s and 60s. This book is not a mere survey of the art produced and exhibited during that period. Instead, Judd discusses in detail the work of more than five hundred artists showing in New York at that time and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. The essay "Specific Objects" (1965), which by now has to be considered as one of the essential discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism" (1975), published here for the first time. Three hundred reproductions as well as an extensive index accompany the text."--BOOK JACKET
500 $aIncludes reviews and articles written for Arts magazine, and others.
500 $aIncludes index.
650 0 $aArt, American$y20th century.
650 0 $aArt criticism.
740 0 $aArts magazine (New York, N.Y.)
907 $a.b20690320$bmulti$c-
902 $a070705
998 $b1$c051212$dm$ea$f-$g0
902 $asc