MARC Record from Western Washington University

LEADER: 03223cam 2200421 a 4500
001 ocm70045955
003 OCoLC
005 20071018103902.0
008 060605s2007 enk b 001 0 eng
010 $a2006018482
020 $a0754657639 (alk. paper)
020 $a9780754657637 (alk. paper)
035 $a(OCoLC)70045955
040 $aDLC$cDLC$dBAKER$dBTCTA$dBWKUK$dYDXCP$dYDX$dUKM$dXFF
049 $aXFFA
050 00 $aPR2958.M3$bL64 2007
100 1 $aLogan, Robert A.,$d1935-
245 10 $aShakespeare's Marlowe :$bthe influence of Christopher Marlowe on Shakespeare's artistry /$cRobert A. Logan.
260 $aAldershot, England ;$aBurlington, VT :$bAshgate,$cc2007.
300 $a251 p. ;$c24 cm.
520 1 $a"Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, alter questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works."--BOOK JACKET
504 $aIncludes bibliographical references (p. [237]-246) and index.
505 0 $aMarlowe and Shakespeare : repositioning the question of sources and influence -- Unfelt imaginations : influence and characterization in The massacre at Paris, Titus Andronicus, and Richard III -- Hero and Leander and Venus and Adonis : artistic individuality and the ideology of containment -- Edward II, Richard II, the will to play, and an aesthetic of ambiguity -- For a tricksy word / defy the matter : the influence of The Jew of Malta on The merchant of Venice -- Marlowe's Tamburlaine plays, Shakespeare's Henry V, and the primacy of an artistic consciousness -- Making the haunt his : Dido, Queen of Carthage as a precursor to Antony and Cleopatra -- Glutted with conceit : imprints of Doctor Faustus on Macbeth and The tempest -- Conclusion : Marlovian incentives.
600 10 $aShakespeare, William,$d1564-1616$xLiterary style.
600 10 $aShakespeare, William,$d1564-1616$xTechnique.
600 10 $aMarlowe, Christopher,$d1564-1593$xInfluence.
600 10 $aMarlowe, Christopher,$d1564-1593$xLiterary style.
600 10 $aMarlowe, Christopher,$d1564-1593$xTechnique.
600 10 $aShakespeare, William,$d1564-1616$xCriticism, Textual.
600 10 $aMarlowe, Christopher,$d1564-1593$xCriticism, Textual.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0615/2006018482.html
907 $a.b21346434$bmulti$c-
902 $a080102
998 $b1$c071018$dm$ea$f-$g0
902 $a071114
902 $aFastCat mw
902 $aMARS