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MARC Record from Talis

Record ID talis_openlibrary_contribution/talis-openlibrary-contribution.mrc:998541825:1588
Source Talis
Download Link /show-records/talis_openlibrary_contribution/talis-openlibrary-contribution.mrc:998541825:1588?format=raw

LEADER: 01588cam a2200229 a 4500
001 0e07d583da0449c7b152e0fa40c5153a
003 UK-BiTAL
005 20050705133232.0
008 040514s1689 xxk | 000 ||eng|d
035 $a()M0030094QU
040 $aQU$cQU$dUK-BiTAL
100 1 $aShakespeare, William,$d1564-1616.
240 10 $aKing Lear
245 04 $aThe History of King Lear /$c[By William Shakespeare] :$bActed at the Queen's Theatre ; Reviv'd with Alterations. By N. Tate.
260 $aLondon :$bPrinted for R. Bentley, and M. Magnes in Russel-street near Covent-Garden,$c1689.
300 $a[v], 57, [1] p.
500 $aThe title-page is followed by 'The Epistle Dedicatory To My Esteemed Friend Tho. Boteler, Esq;', signed: 'N. Tate'; 'Prologue' and list of 'The Persons' precede the main text; 'Epilogue, Spoken by Mrs. Barry' on verso of final leaf.
500 $a'In 1681 Betterton appeared at Dorset Garden in 'King Lear' as altered by Tate, and this alteration of 'King Lear' actually held the stage until about 1840. The part of the fool is entirely omitted, and Cordelia survives to marry Edgar. Addison protestedagainst the outrage on Shakespeare ('Spectator', No. 40). But Tate's adaptation was defended, on grounds of poetical justice, by Johnson, whose feelings had been agitated by witnessing the death of Cordelia' [DNB].
500 $aCaption title: 'King Lear. A Tragedy'; running title: 'King Lear'.
510 0 $aWing S2919; T.C. II, 296; Woodward & McManaway 1199 [under Tate]; Jaggard 356.
610 24 $aQueen's Theatre (London).
700 1 $aTate, Nahum,$d1652-1715.