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"The Louvre, founded in the final years of the Enlightenment--with the greatest collection of Old Master paintings and antique sculpture assembled under one roof--became the model for all state art museums subsequently established. Andrew McClellan chronicles the formation of this great museum from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire. More than a narrative history, McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre. Drawing on new archival materials, McClellan also illuminates the art world of 18th-century Paris. Book jacket."--Jacket.
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Previews available in: English
Subjects
Art and state, France, History, Musée du Louvre, Musée du Louvre (Paris), Art, Politique gouvernementale, Histoire, Art et État, Louvre (paris, france), Musee du louvre, Art and state, france, Musée du louvre., Art and state--history, Art and state--france--history--18th century, N2030 .m34 1999, 708.4/361, N2030 .m34 1994Places
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18th centuryShowing 2 featured editions. View all 2 editions?
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1
Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris
1999, University of California Press
in English
0520221761 9780520221765
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2
Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris
1994, Cambridge University Press
in English
0521450659 9780521450652
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Book Details
Edition Notes
Includes bibliographical references and index.
Originally published: Cambridge, England ; New York : Cambridge University Press, 1994.
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Work Description
Containing the greatest collection of Old Master paintings and antique sculpture ever assembled under one roof, the Louvre, founded in the final years of the Enlightenment, became the model for all state art museums subsequently established. This book chronicles the formation of this great museum, from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire.
More than a narrative history, Andrew McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre, as well as its contemporary, the Museum of French Monuments, which in complementary ways laid the foundation for the modern museum. Here, central and abiding questions of museum practice - arrangement of art works, lighting, restoration and conservation, public education and service to the state - were first defined and given visual expression
- Drawing on much new archival material, this book also casts new light on the art world of eighteenth century Paris and its most colorful characters, from Roger de Piles and La Font de Saint-Yenne to Jacques-Louis David and Alexandre Lenoir.
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