Medieval and Renaissance Studies; The Pre-History of Western Psalm Tones/J. Planer

A "New" Renaissance Manuscript/J. Rifkin

Corrective Procedures in Music Manuscripts of the Middle Ages and Renaissance/K. Mixter

Brunelleschi's Dome and Dufay's Motet/C. Warren. Music of the Baroque Period: Aspects of the Performance of Sacred Dramatic Music at the Court of Leopold I/R. Schnitzler

The Italian Cantata in England/G. Rose

The Cantiones ecclesiasticae (1607) of Gregor Aichinger: A German Counterpart of Viadana's Cento concerti ecclesiastici/W. Hettrick

Claudio Monteverdi, Music and Letters/D. Stevens. 19th Century Music: Chopin Interpretation and a Pleyel Grand of 1842/T. Higgins

Schumann's Legacy in France/E. Brody

Hugo Wolf's Piano Music/P. Boylan. Studies in Opera: Il Trespolo Tutore/R. Weaver

Gieuseppe Scarlatti's Comic Operas for Vienna/E. Badura Skoda

;The Five Versions of Verdi's Don Carlos/D. Rosen

Berg as Librettist/J. Rosen. Music of the Classic Period: Sonority in Haydn's String Quartets/C. White

Music Used in the French National Religious Cult of 1794, Worship of the Supreme Being/R. Stewart

Mozart's Vocal Fermata Elaborations: Functions and Organization/E. Derr

English Speculation on Musical Tempo around 1800/F. Petty. Studies in Theory and Analysis, 19th and 20th Centuries: On the Varietis of Background/T. Clifton

At the Furthest Frontier of Tonality: Webern's Piano Music of 1906/D. Newlin

The Subdominant Problem: A Crack in the System/B. Archibald. Urban Popular Music (Joint Meeting with the Society for Ethnomusicology): Comparative Urban Musicology: Africa, Greece, North America/C. Keil

Pop-Cycles in American Music: Swing vs. Rock/A. Goldman

Bossa and Bossas: Recent Changes in Brazilian Bossa Nova Repertoire/G. Behague. Islamic Civilization and Music-East and West (Joint Meeting with the Society for Ethnomusicology): The Islamic Nature of Music in Kelantan, Malaysia/W. Malm

Maquam in Indian Music/H. Powers

Islamic Influences on Mandingo Music/R. Knight

Islamic Civilization and the Rise of European Polyphony/A. Ringer. General Theory and Method (Joint Meeting with the Society for Ethnomusicology): A Possibile Systematic Approach to Music Viewed from an Ethnomusicological Perspective/R. Kauffman

The Reliability of Transcription/G. List

Factors of Musical Structure/A. Lomax

Semiotics of Ethnomusicology/C. Boiles

Study Session: Beethoven Studies/L. Lockwood

Beethoven and Carl Heinrich Graun/R. Kramer

Study Session: Opera from Monteverdi to Mozart: Problems in Preparing Modern Editions/D. Heartz

The New Scarlatti Edition/D. Grout

Towards an Edition of Rameau's Operas/A. Curtis

Study Session: Musical Iconology, Its Promises and Its Pitfalls/B. Brook

A Report on RICOM, a New International Project/B. Brook

The Catalouging of Musical Subjects in Western Art before 1800/H. Brown

Study Session: Gregorian Chant/R. Steiner

Chant Archeology: Older Regional Practices Preserved in 11th Century Aquitanian Antiphons/C. Roederer

The Melismas of the Matins Responsories/R. Steiner

Chant Usage in the 16th Century Polyphonic Hymn/L. Pruett

Study Session: National Predilections in 17th Century Theory/A. Cohen

England/W. Atcherson

France/A. Cohen

Germany/G. Buelow

Spain/A. Howell. Study Session: Music in Franco-Flemish Cities, 1450-1550: Instrumental Ensembles in Flanders, 1450-1550/K. Polk

Wind Band Music/H. Brown

Depression and Culture in 15th Century Flanders and Brabant/J. Munro

Study Session: Vocal Performance Practice, 1580-1650: Flexibility in Tempo around 1600/A. Newcomb

Concerning the Singing of Early Italian Monody/W. Porter

Canccini's Sprezzatura di Canto: some 17th Century Applications/E. Schwandt

Study Session; Medieval Theory: Modal Analysis: Modal Aspects of Medieval Secular Music/T. Karp

The Conflict of Tonal Systems from 850-1100/C. Bower

Study Session: American Studies: New Areas for Scholarly Research: Contemporary Research in American Music History: Reconsideration of Traditions, Institutions, and Individuals/D. McCorkle

Changing Traditions in the Music of Black Americans/E. Southern

The Three New York Philharmonics/H. Shanet

The Current State of Ives Scholarship/J. Kirkpatrick

Study Session: Les Gouts Reunis: Instrumental Music under Louis XV: Toward the Definition of National Styles/N. Zaslaw

The Imitation of Foreign Styles in French Harpsichord Music/D. Fuller; Les Gouts Reunis: Some means of Reconciliation; Study Session: Humor in Music. An Analysis of the Approach to Musical Humor Used by Peter Schickele in One of his P.D.Q. Bach Satires/R. Schick; Satire in Music: The Relevance of Quotation/A. Tormey

Study Session: Some Tools for Compter-Assisted Research in Ethnomusicology and Musicology. A progress report on a Computer Typography for Music/H. Lincoln

The GRIPHOS Computer Programs for the Storage, Organization and Dissemination of Textual Data/J. Heller

A Computer Apoplication to Ethnomusicology/B. Suchoff. Study Session: Aspects of Song. Unity of Song/A. Clarkson; The Morphology of Song, with Examples from Gilyak Music and Culture/R. Austerlitz; The Societal Necessity of Song/T. Graeme