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Examines artwork from William Kentridge, focusing on the artist's interest in the social landscape in his native South Africa, and examining five main themes used throughout Kentridge's career. Includes a DVD with studio footage and fragments of Kentridge's film projects.
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Previews available in: English
Subjects
Exhibitions, Interviews, Artists' preparatory studies, Artists, Space (Art), Themes, motives, Tapestry, History, Individual artists, Criticism, Art, Art & Art Instruction, Individual Artist, Art / Individual Artist, Assemblage Art, 1955-, Kentridge, William,, History of art & design styles: from c 1900 -, Charcoal drawing, Animated films, Art, modern, 20th century, Kentridge, william, 1955-, Art, modern, 20th century, exhibitions, Metropolitan opera (new york, n.y.), Opera, Criticism and interpretation, Art, african, Art, south african, Artistes, Theater, Performance art, World War, 1914-1918, Drama, Africans Participation, Stage-setting and scenery, Nos (Shostakovich, Dmitriĭ Dmitrievich), South African Art, Modern Art, Catalogs, Installations (Art), Maps in art, Individual works, More sweetly play the dance, Artists, africa, South africa, biographyPeople
William Kentridge (1955-)Places
South AfricaTimes
21st centuryShowing 2 featured editions. View all 28 editions?
Edition | Availability |
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1
William Kentridge: five themes
2009, San Francisco Museum of Modern Art, Norton Museum of Art in association with Yale University Press, New Haven
in English
- 1st ed.
0300150482 9780300150483
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2
William Kentridge
2001, Museum of Contemporary Art, New Museum of Contemporary Art in association with H.N. Abrams
0810942283 9780810942288
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Book Details
Edition Notes
Published on the occasion of an exhibition held at the San Francisco Museum of Modern Art and six other institutions between Mar. 14, 2009 and Summer 2011.
Includes bibliographical references.
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Work Description
"William Kentridge (b. 1955, Johannesburg) has always addressed the more challenging and intimate aspects of contemporary life and of South Africa, both during Apartheid and in the post-Apartheid period. Through his short animated films, his sculptures, installations, charcoal drawings on paper - based on a technique of erasure - as well as through his activities in theater as set designer and director, Kentridge explores the nature of memory and emotions, the ambiguity and complexity of social conflicts in the age of globalization. His art suggests an original perspective which is both elegiac and dramatic, whereby perpetual change, process and transformation are balanced between ethics, responsibility and poetry." "This catalogue accompanies the exhibition organized by the Castello di Rivoli that will travel in 2004 and 2005 to the K20 K21 Kunstsammlung Nordrhein-Westfalen of Dusseldorf, the Museum of Contemporary Art of Sydney, the Musee d'Art Contemporary in Montreal and the Johannesburg Art Gallery in the artist's hometown."--BOOK JACKET
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