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"The tintype, patented in 1856, was a cheap, fast, easy-to-make, practically indestructible type of photograph that became enormously popular among the working class in the late nineteenth century. For common laborers and their families, the opportunity to join the ranks of those who owned pictures of family and friends - the upper classes - was momentous.
This collection exhibits more than eighty examples of a specific kind of tintype: occupational portraits, photographs of working people with the tools of their trade. Michael L. Carlebach examines the historical significance of these tintypes and finds that they reveal a great deal about late nineteenth-century values.".
"The subjects of these images are plumbers proudly holding their wrenches and pipe cutters, carpenters with their saws and lathing hatchets, textile workers with their spindles and yarn, icemen with their tongs. These people lived and worked at a time when a depersonalized factory system run by production and efficiency experts was beginning to dominate American industry and culture.
Many of the men and women in these tintypes were part of a disappearing class of self-employed artisans and journeymen; their portraits proudly stress their individuality and the essential nobility of their work."--BOOK JACKET.
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Previews available in: English
Subjects
History, Portrait photography, Portraits, Working class, Tintype, Working class, united statesPlaces
United StatesTimes
19th centuryEdition | Availability |
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1
Working stiffs: occupational portraits in the age of tintypes
2002, Smithsonian Institution Press
in English
1588340678 9781588340672
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Book Details
Edition Notes
Includes bibliographical references (p. 123-125) and index
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The Physical Object
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