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In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s.
Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.
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Previews available in: English
Subjects
African Americans in motion pictures, Sex role in motion pictures, Women in motion pictures, Motion pictures, history, Motion pictures, united states, Pn1995.9.s47 w56 1997, 791.43/655, Sex role & the media, General & miscellaneous african american history, Social themes in motion pictures, Peoples & cultures in film, Women and filmShowing 3 featured editions. View all 3 editions?
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1
High Contrast: Race and Gender in Contemporary Hollywood Films
2012, Duke University Press
in English
1322101264 9781322101262
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2
High Contrast: Race and Gender in Contemporary Hollywood Films
1997, Duke University Press
in English
082237921X 9780822379218
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3
High contrast: race and gender in contemporary Hollywood films
1997, Duke University Press
in English
0822320290 9780822320296
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Edition Notes
Includes bibliographical references (p. [217]-257) and index.
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