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This is one of the three plays which Strindberg placed at the head of his dramatic production during the middle ultra-naturalistic period, the other two being "The Father" and "Miss Julia." It is, in many ways, one of the strongest he ever produced. Its rarely excelled unity of construction, its tremendous dramatic tension, and its wonderful psychological analysis combine to make it a masterpiece.
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Feedback?July 22, 2019 | Edited by MARC Bot | remove fake subjects |
August 11, 2010 | Edited by George | merge authors |
July 1, 2010 | Created by ImportBot | new OverDrive book |