Shakespeare, the Queen's Men, and the Elizabethan performance of history

Shakespeare, the Queen's Men, and the Elizabe ...
Brian Walsh, Brian Walsh
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Last edited by ImportBot
December 16, 2010 | History

Shakespeare, the Queen's Men, and the Elizabethan performance of history

"The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, Walsh looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination"--Provided by publisher.

"Longing on a large scale is what makes history." Don DeLillo, Underworld In his 1589 treatise The Arte of English Poesie, George Puttenham diagnosed the limited ability of humans to perceive history. The past, according to Puttenham, is that which "we are not able [ . . . ] to attaine to the knowledge of, by any of our ences." History is defined by its inalienable absence. It exists only in forms of textual or pictorial representation, such as prose works, poetry, and illustrations, or in embodied acts such as storytelling and theatrical playing. In sixteenth-century England, these forms flourished as varying responses to a heightened awareness of the absence of history, an awareness that the intellectual ambitions of the Renaissance precipitated. Of all the forms of history, performance alone supplies a pretense of sensual contact with the vanished past through the bodies that move and speak on stage. The history plays that I consider in this book, from the repertory of the Queen's Men and by Shakespeare, grew out of a vibrant Elizabethan historical culture, and they in turn helped to shape a new historical outlook"--Provided by publisher.

Publish Date
Language
English
Pages
239

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Edition Availability
Cover of: Shakespeare, the Queen's Men, and the Elizabethan performance of history
Shakespeare, the Queen's Men, and the Elizabethan performance of history
2009, Cambridge University Press
in English

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Book Details


Table of Contents

Dialogues with the dead: history, performance, and Elizabethan theater
Theatrical time and historical time: the temporality of the past in The Famous Victories of Henry V
Figuring history: truth, poetry, and report in The True Tragedy of Richard III
'Unkind division': the double absence of performing history in 1 Henry VI
Richard III and Theatrum Historiae
Henry V and the extra-theatrical historical imagination.

Edition Notes

Includes bibliographical references (p. 221-234) and index.

Published in
Cambridge, UK, New York

Classifications

Dewey Decimal Class
822/.05140903
Library of Congress
PR635.H5 W35 2009

The Physical Object

Pagination
vi, 239 p. ;
Number of pages
239

ID Numbers

Open Library
OL24547164M
ISBN 10
0521766923
ISBN 13
9780521766920
LCCN
2009035488
OCLC/WorldCat
422765095

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December 16, 2010 Created by ImportBot initial import