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Obie-award-winning performer and writer Peggy Shaw has been playing her gender-bending performances on Off Broadway, regional, and international stages for three decades. A founder of the renowned performance troupe Split Britches, Shaw has gone on to create memorable solo performances that mix achingly honest introspection with campy humor, reflecting on everything from her Irish working-class roots to her aging butch body. This collection of Shaw's performance scripts evokes a 53-year-old grandmother who looks like a 35-year-old man (in her classic "Menopausal gentleman"); a mother's ambivalent ministrations to a daughter she treated like a son (in the raw "You're Just Like Your Father"); Shaw's love for her biracial grandson, for whom she models masculinity (in the musically punctuated "To My Chagrin"); and a mapping of her body's long, bittersweet history (in the lyrical "Must", a collaboration with the UK's Clod Ensemble).
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1
A Menopausal Gentleman: the solo performances of Peggy Shaw
2011, The University of Michigan Press
Hardcover
in English
0472116479 9780472116478
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2
Menopausal Gentleman: The Solo Performances of Peggy Shaw
2011, University of Michigan Press
in English
0472034146 9780472034147
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Includes bibliographical references.
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Obie-award-winning performer and writer Peggy Shaw has been playing her gender-bending performances on Off Broadway, regional, and international stages for three decades. Co-founder of the renowned troupe Split Britches, Shaw has gone on to create memorable solo performances that mix achingly honest introspection with campy humor, reflecting on everything from her Irish-American working-class roots to her aging butch body.
This collection of Shaw's solo performance scripts evokes a 54-year-old grandmother who looks like a 35-year-old man (in her classic Menopausal Gentleman); a mother's ambivalent ministrations to a daughter she treated like a son (in the raw You're Just Like My Father); Shaw's love for her biracial grandson, for whom she models masculinity (in the musically punctuated To My Chagrin); and a mapping of her body's long, bittersweet history (in the lyrical Must: The Inside Story, a collaboration with the UK's Clod Ensemble). The book also includes a selection of Shaw's other classic monologues and an extensive introduction by Jill Dolan, Professor of English and Theater and Dance at Princeton University and the blogger behind The Feminist Spectator website.
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