An edition of Theorizing film acting
(2012)
Theorizing film acting
by Aaron Taylor
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Book Details
Table of Contents
Introduction: acting, casually and theoretically speaking / Aaron Taylor
Aesthetics: understanding and interpreting film acting. Acting matters: noting performance in three films / Brenda Austin-Smith
Living meaning: the fluency of film Performance / Andrew Klevan
Play-acting: a theory of comedic performance / Alex Clayton
Performed performance and the man who knew too much / Murray Pomerance
Brando sings! the invincible star persona / George Toles
Reception: film acting, audiences and communities. "Look at me"?: a phenomenology of Heath Ledger in The dark knight / Jorg Sternagel
Is acting a form of simulation or being? acting and mirror neurons / William Brown
The bond that unbinds by binding: acting mythology and the film community / Kevin Esch
From being to acting: performance in cult cinema / Ernest Mathijs
Acting and performance in home movies and amateur films / Liz Czach
Culture: film history, industry and the vicissitudes of star acting. Story and show: the basic contradiction of film star acting / Paul McDonald
The screen actor's "first self" and "second self": John Wayne and Coquelin's acting theory / Sharon Marie Carnicke
Acting like a star: Florence Turner, picture personality / Charlie Keil
Niche stars and acting "gay" / Chris Holmlund
Apparatus: technology, film form and the actor. What becomes of the camera in the world on film? / William Rothman
Sonic bodies: listening as acting / Jennifer M. Barker
Dance of the ubermarionettes: toward a contemporary screen actor training / Sean Aita
Articulating digital stardom / Barry King.
Edition Notes
Includes bibliographical references and index.
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| June 2, 2023 | Edited by ImportBot | import existing book |
| December 16, 2022 | Edited by MARC Bot | import existing book |
| August 15, 2020 | Edited by ImportBot | import existing book |
| October 23, 2011 | Created by LC Bot | import new book |