An edition of Gender meets genre in postwar cinemas (2012)

Gender meets genre in postwar cinemas

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Cover of: Gender meets genre in postwar cinemas by Christine Gledhill, Christine Gledhill
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Last edited by ImportBot
April 12, 2023 | History
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An edition of Gender meets genre in postwar cinemas (2012)

Gender meets genre in postwar cinemas

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Publish Date
Publisher
University of Illinois Press
Language
English
Pages
274

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Previews available in: English

Subjects

Motion pictures and women, Women in motion pictures, Sex role in motion pictures, Film genres, Men in motion pictures, Feminism and motion pictures
Edition Availability
Cover of: Gender Meets Genre in Postwar Cinemas
Gender Meets Genre in Postwar Cinemas
2012, University of Illinois Press
in English
Cover of: Gender Meets Genre in Postwar Cinemas
Gender Meets Genre in Postwar Cinemas
2012, University of Illinois Press
in English
Cover of: Gender meets genre in postwar cinemas
Gender meets genre in postwar cinemas
2012, University of Illinois Press
in English

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Book Details

Table of Contents

Introduction / Christine Gledhill
Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines
No fixed address: the women's picture from outrage to blue steel / Pam Cook
Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram
100% pure adrenaline: gender and generic surface in Point break / Luke Collins
Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan
Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker
Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin
Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer
Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal
Up close and personal: faces and names in Casualties of war / Deborah Thomas
Gender hyperbole and the uncanny in the horror film: The shining / Katie Model
Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar
Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen
Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega
Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock
Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer
"The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.

Edition Notes

Includes bibliographical references and index.

Published in
Urbana

Classifications

Dewey Decimal Class
791.43/6522
Library of Congress
PN1995.9.S47 G46 2012, PN1995.9.S47

The Physical Object

Pagination
p. cm.
Number of pages
274

ID Numbers

Open Library
OL25102230M
Internet Archive
isbn_9780252078316
ISBN 13
9780252036613, 9780252078316
LCCN
2011046230
OCLC/WorldCat
719427890

Source records

Library of Congress MARC record
Library of Congress MARC record
Library of Congress MARC record
Better World Books record
Better World Books record
Library of Congress MARC record
harvard_bibliographic_metadata record
marc_columbia MARC record
marc_nuls MARC record
amazon.com record
Internet Archive item record

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History

Download catalog record: RDF / JSON
April 12, 2023 Edited by ImportBot import existing book
November 16, 2011 Created by LC Bot import new book